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Movie Reviews

  • Thompson on Hollywood
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    'Men In Black III' Reviews: Better Than The Second, But Still Irrelevant

    The arrival of "Men in Black III" on May 25 is exciting mostly because Will Smith hasn't been on the big screen since 2008's "Seven Pounds." Bill Desowitz also finds it's 3-D a revelation for the comedy genre...

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  • The Playlist
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    Cannes Review: It's Isabelle Huppert Times Three In Hong Sang-soo's Light 'In Another Country'

    Heaviness tends to dominate the Cannes Film Festival, and this year is no different. Death ("Amour"), doubt ("The Hunt"), losing limbs ("Rust And Bone") and religious fanaticism ("Beyond The Hills") are just some of themes that have cropped up so far as we get to the halfway point of the fest. And w...

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    Now and Then: The False Promise of Kiarostami's 'Certified Copy'

    Iranian director Abbas Kiarostami's 2010 Cannes entry "Certified Copy," which won Juliette Binoche the festival's Best Actress prize, is out today on Blu-ray and DVD from the Criterion Collection. Given that he debuted his latest effort on the Croisette this week, the timing is felicitous. I wish I ...

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  • The Playlist
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    Cannes Review: Brilliant & Angry 'Killing Them Softly' Is The Anti-Thriller For Our Times

    "What is that American promise? It's a promise that says each of us has the freedom to make of our own lives what we will, but that we also have obligations to treat each other with dignity and respect," Barack Obama said at the Democratic National Convention in 2008. And that section of the speech ...

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  • Indiewire
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    CANNES REVIEW: Brad Pitt is the Cynical Voice of Reason in Andrew Dominik's Enjoyable Anti-Capitalist 'Killing Them Softly'

    CANNES REVIEW: Brad Pitt is the Cynical Voice of Reason in Andrew Dominik's Enjoyable Anti-Capitalist 'Killing Them Softly'

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  • The Playlist
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    Review: 'Men In Black 3' Is A Surprisingly Decent Return To Form For The Flagging Franchise

    Much has been made of the herculean efforts it took to get “Men in Black 3” to the big screen – the constant rewrites, the lengthy hiatus, Will Smith’s giant trailers pissing off much of lower Manhattan – so the mere fact that “Men in Black 3” is watchable at all is something of a pleasant surprise....

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  • The Playlist
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    Cannes Review: Ken Loach's 'The Angel's Share' Is Slight, Sitcom-y & Suspense-Free

    The working class are a little funny in “The Angels’ Share,” English director Ken Loach’s new bluecollar comedy. “The Angels’ Share” is Loach’s (“Kes”) latest film to play Cannes after his “The Wind That Shakes the Barley” won the 2006 Palme D’Or and both "Route Irish" and "Looking for Eric" played ...

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    Cannes Review: 'Room 237' An Outstanding, Fascinating & Funny Exploration & Celebration Of 'The Shining'

    Is "The Shining" just a horror movie about a guy who goes berserk in a hotel, or is it subversively about the history of American genocide? Why did Stanley Kubrick use cans of Calumet and Tang in the hotel's storeroom? Were these just random products, or were they each chosen and framed in the camer...

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  • Indiewire
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    CANNES REVIEW: Abbas Kiarostami Heads to Japan and Delivers a Tantalizing Mystery With 'Like Someone in Love'

    There's a lot of driving and talking in "Like Someone in Love," Iranian director Abbas Kiarostami's latest production made outside of his native country, but beyond that is anyone's guess. Following last year's Tuscany-set "Certified Copy," the new movie finds the...

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  • Indiewire
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    12 Reviews From Cannes 2012: 'Amour,' 'Moonrise Kingdom' and More

    We've hit the halfway point of this year's Cannes Film Festival. Indiewire senior editor and film critic Eric Kohn has caught all of the biggest films from directors like Alain Resnais, Michael Haneke, Cristian Mungiu. To help you keep track, we've compile a list of all of our first doze...

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