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Movie Reviews

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    Sundance Review: ‘Escape From Tomorrow’ Takes Viewers On A Mind-Melting Vacation from Hell

    We’re not sure why writer/director Randy Moore decided to come swinging out the gate with a first feature like “Escape from Tomorrow,” and frankly, we’re not entirely sure how he got away with even making it in the first place. Much of this dark, utterly bizarre comedy would appear to be covertly sh...

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    Sundance Preview: Jane Campion’s ‘Top Of The Lake’ Feels Like ‘The Killing’ Only With Haunting, Lasting Sustain

    Moody, without being oppressively dark or atmospheric, compelling and mysterious, Jane Campion's seven-part Sundance Channel series, "Top Of The Lake" – based on two episodes thus far – is an intriguing crime drama and mystery that's got this writer hooked.

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    Slamdance 2013 Review: Psycho Thriller 'Vipaka' Aims To Thrill But Underwhelms

    Directed by French/Lebanese director Philippe Caland (Boxing Helena), the psychological thriller Vipaka had its premiere at the Slamdance Film Festival today.

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    Sundance Review: 'Crystal Fairy' Is A Hilarious Drug-Fueled Road Movie & A Welcome Return For Michael Cera

    "Guess if Michael Cera's dead, it's not a total loss right?" Danny McBride says in probably the funniest moment in the teaser for “This Is The End,” a new apocalyptic comedy starring Cera and McBride along with an all-star roster of mostly Apatow-bred comedians all playing distorted versions of them...

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    Sundance Sex in Cinema: Gordon-Levitt's 'Jon Don's Addiction,' Winterbottom's 'The Look of Love'

    Michael Winterbottom's "The Look of Love" is hardly the most daring of the sexually explicit movies on display at Sundance this year. Joseph Gordon-Levitt made his debut as writer-director with "Don Jon's Addiction," a New York blue collar comedy in the vein of "Saturday Night Fever" in which JGL's...

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    Sundance Review: Michael Winterbottom's Swinging 'The Look Of Love' Fails To Titillate With Shallow, Empty Story

    While stylishly capturing the verve, exotica, and free-spirited mojo of swinging '60s London, uber-prolific English director Michael Winterbottom's portrait of legendary U.K. smut impresario Paul Raymond is otherwise a shallow misfire.

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    Sundance Review: 'S-VHS' Is An Uneven, Occasionally Thrilling Sequel To The Horror Anthology

    Last year, the indie horror anthology "V/H/S" was released and promised to be chock full of truly in-your-face terror – these were fearless directors, given complete creative freedom, and squeezed together under a tight, blood-soaked package. Of course, the promise of "V/H/S" and the actual movie it...

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    Sundance Review: 'Blackfish' Ensures You'll Never Go to SeaWorld Again

    Nobody from SeaWorld agreed to an interview for "Blackfish," Gabriela Cowperthwaite's searing take on the theme park's mistreatment of killer whales and the dozens of deaths that have resulted from it. Instead, the majority of its subjects are ex-SeaWorld trainers frustrated by the negligence they w...

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    When Are Films Political? Inequality For All

    In lectures, books, and years of commentary, former labor secretary and current UC Berkeley Professor Robert Reich has argued passionately that widening income inequality poses one of the most severe threats to our economy and our democracy.

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    Sundance Review: Felicity Jones & Guy Pearce Are Tremendous In The Flawed But Beautiful 'Breathe In'

    Intimate, expressive, agonizing and beautifully rendered, director Drake Doremus' third feature-length effort, "Breathe In," will be familiar to those that know the indie filmmaker's small, but already distinctive oeuvre. While similar in tone and style, his latest effort is like the darker cousin t...

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