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Movie Reviews

  • Leonard Maltin
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    movie review: HESHER

    Some indie films seem to exist as exercises in strangeness, just to see how far they can go—and how long audiences will watch before screaming and running up the aisles. I stuck with Hesher till the bitter end, but I’m not proud of that achievement and wouldn’t recommend that an...

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  • Leonard Maltin
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    movie review: Bridesmaids

    That sound you hear is me, heaving a sigh over yet another two-hour comedy that’s got about an hour of good material spread thin. Some smart, talented people collaborated on the film, including director Paul Feig (who’s also a good writer), producer Judd Apatow, and screenwrite...

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  • Leonard Maltin
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    movie review: Everything Must Go

    Will Ferrell’s brand of comedy doesn’t appeal to me, by and large. My favorites of his films are not the crowd-pleasers, but Stranger than Fiction, an offbeat comedy-drama, and Elf, a whimsical fable that required a sincere performance as much as comic knowhow.

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  • Indiewire
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    CANNES REVIEW | "Restless" is a Good Actors' Showcase, But Nothing Special for Gus Van Sant

    A flimsy teenage romance with dashes of bittersweet inspiration, Gus Van Sant's "Restless" is little more than a whimsical exercise. Neither unwatchable nor particularly memorable, it mainly succeeds as a showcase for Van Sant's younger collaborators. The director's first feature since 2008's "Milk"...

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    CANNES REVIEW | "We Need to Talk About Kevin" Puts a Brilliant Spotlight on the Problem Child

    "Ratcatcher," Lynne Ramsay's affecting 1999 directorial debut, focused on the tribulations of a lonely child surrounded by bad examples. "We Need to Talk About Kevin," Ramsay's long-awaited third feature, deals with a similar character from the perspective of a concerned parent. Adapted from Lionel ...

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  • Indiewire
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    CANNES REVIEW | "Sleeping Beauty" Puts Emily Browning in a Sexually Unnerving Position

    In an early scene of Julia Leigh's "Sleeping Beauty," the proprietor of a high-end prostitution operation orders Lucy (Emily Browning) to strip down to her underpants, at which point the mistress and her assistant aggressively fondle nearly every inch of the young college student's body. Their hands...

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    Critical Consensus: Delayed "City of Life and Death" Tops Very Busy Week on criticWIRE

    As Cannes kicks off in the south of France, a whopping 11 new films are opening in limited release Stateside. There's Dan Rush's Will Ferrell dramedy "Everything Must Go," Joseph Gordon-Levitt starrer "Hesher," and Justin Chadwick's film festival favorite "The First Grader," as well as the long del...

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  • Indiewire
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    CANNES REVIEW | "Midnight in Paris" is Enjoyable, but Another Typical Woody Allen Story

    When Woody Allen left his treasured New York setting and took his movies abroad, he brought his characters with him. With "Midnight In Paris," his second feature shot in Europe since his brief return home for 2009's "Whatever Works," Allen assembles a familiar cast of troubled people with a slight, ...

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  • Indiewire
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    Small Screens: indieWIRE's Top 5 Releases This Week

    DVD/Blu-ray Top Pick:Title: "Blue Valentine"Director: Derek Cianfrance

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    REVIEW | "Louder Than a Bomb" Offers Moving Poetry, But So Do the Online Clips

    "The point is not the point," goes the slogan of "Louder than a Bomb," the world's largest high-school poetry slam. "The point is the poetry." In the documentary directed by Greg Jacobs and Jon Siskel, also called "Louder than a Bomb," the filmmakers tussle with that optimistic assertion by surveying various teen competitors, many of whom come from troubled homes. Although initially assuming the format of a sports story, with several high school teams gearing up for the annual city-wide competition, the narrative eventually pulls back to celebrate the impact of poetry on their lives. As a result, the slogan doubles as a tagline, although the ...

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