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Movie Reviews

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    Memo to Distributors from Indiewire’s Film Critic: Buy These 2014 Cannes Film Festival Titles

    Buyers still eager to stay relevant should take note of the following first-rate titles, which deserve many more audiences than just those lucky enough to cross the Croisette this year.

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    ANALYSIS: Here's Why This Was the Best Cannes Film Festival in Years

    This was the best Cannes Film Festival in years -- at least in terms of the different categories of experiences it provided. Palme d'Or winner "Winter Sleep" is just one example.

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    Cannes Review: Is Xavier Dolan's 'Mommy' His Best Film?

    Xavier Dolan's fifth feature has a vitality and movement that goes beyond craftsmanship to illustrate the filmmaker's evolution as an artist.

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    Cannes Mid-Festival Report: How This Year's Festival Already Delivers a Strong Message

    As this year's edition reaches its halfway point, at least two shared themes are visible among several of this year's strongest entries: the darker side of wealth and the systematic persecution by a privileged few.

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    Cannes Review: Céline Sciamma's 'Girlhood' Is One of the Best Coming of Age Movies In Years

    The director's third feature confirms mastery over the coming-of-age drama, a genre too often reduced to its simplest ingredients.

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    How Many Bad Movies Does It Take to Ruin a Film Festival? This Year's Rotterdam Has the Answer

    Simply put, there are now far too many film-festivals, and most of them show far, far too many films.

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    Why A Visionary Work Over a Decade In the Making Has Dominated the Rotterdam Film Festival

    The only way to make sense of the Rotterdam festival is to plunge in and hope for the best — a comment that also applies to the most talked-about single element of the program at its halfway mark.

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    Memo to Distributors: Buy These 2013 Toronto International Film Festival Titles

    Here's a look at 10 movies from TIFF 2013 that have yet to find a buyer but most certainly deserve the opportunity to find bigger audiences.

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    Toronto Review: Inexplicably Wacky Ratings Satire 'R100,' From Hitoshi Matsumoto, Is Like 'Fight Club' Directed By Luis Buñuel

    Japanese comedian Hitoshi Matusmoto successfully made the leap to writer-director-star with his 2007 debut "Big Man Japan," a zany take on the superhero genre that simultaneously managed to make its fantastical protagonist human. The unlikely combination of surrealism and pathos would continue to de...

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