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Movie Reviews

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    Here's the New Wave of American Immigration Movies

    A recent screening series in Hawaii sheds light on several American filmmakers focused on immigrant experiences. Why are we seeing all these movies now?

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    Telluride Review: Josh Hutcherson Flees Menacing Benicio Del Toro in Solid B-Movie 'Escobar: Paradise Lost'

    Colombia's most famous drug lord gets second-billing in this tense story of a young man struggling to escape the cartel's reign of terror.

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    Review: You've Never Seen a Vampire Movie Like the Beautiful 'A Girl Walks Home Alone at Night,' Produced By Elijah Wood

    Ana Lily Amirpour's first feature is a touching allegory shot in glorious black and white.

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    Tribeca Review: 'Extraterrestrial' Is An Example of How Not to Make a Horror Film

    The Vicious Brothers wrote the initial draft of the screenplay for "Extraterrestrial" while they were in college — and it shows.

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    10 Films We Want To See At New Directors/New Films

    Here are the best films from emerging talents that we've seen from this year's lineup.

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    Why True/False Is One of the Most Vital Festivals In America

    Now in its 11th year, the True/False Film Festival — which concluded Sunday in this sleepless Mid-western college town — is the ultimate rejoinder to winter doldrums and existential concerns about the state of film culture.

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    Sundance Review: Jerry Sandusky Went to Jail. Then What? Penn State's Future Is Focus of Amir Bar-Lev's 'Happy Valley'

    "Happy Valley" magnifies the impact of Sandusky's downfall on the various members of the Penn State community, aiming less to extend the public narrative than to deepen it.

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    Sundance Review: You've Never Seen a Vampire Movie Like the Beautiful, Touching 'A Girl Walks Home Alone at Night,' Produced By Elijah Wood

    For centuries, vampires have provided handy metaphors for social and physical dilemma, but in the stylishly muted deadpan romance "A Girl Walks Home Alone at Night," the threat is personal.

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