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Movie Reviews

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    What to See, What to Skip: New Reviews This Week

    From the quirky indie romance "Beginners," to hopeful summer blockbuster "X-Men: First Class," a slew of new releases are vying for your top dollar this weekend. Need help in deciding what to catch? Below, check out new reviews posted this week on indieWIRE and our blog netw...

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    REVIEW | "Film Socialism" Reminds Us Why Godard Still Matters

    Jean-Luc Godard's entire career can seem like an endless attempt to top himself. "Film Socialism," which finally receives a U.S. theatrical release this week, has much in common with the 80-year-old French director's other essay films, including the sprawling "Histoire(s) du cinéma" and "Notre Musiq...

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    REVIEW | A Gay Dad and a Mid-Life Crisis: Mike Mills's "Beginners"

    The delicate blend of playful drama in "Beginners," the second narrative feature by California-based filmmaker and graphic designer Mike Mills ("Thumbsucker"), is a small wonder to behold. Mills fashions the set-up for an overwrought, thoroughly depressing character study into an oddly charming come...

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    REVIEW | "Submarine" Does "Bridesmaids" One Better, With Style to Spare

    In "Submarine," the directorial debut of British comedian Richard Ayoade, newcomer Craig Roberts turns intense discomfort into fine art. Playing the 15-year-old Oliver Tate, Roberts holds his deer-caught-in-headlights stare from start to finish. Equally intent on landing a girlfriend and saving his ...

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    Critical Consensus: "Submarine" Leads Strong Batch of Indie Openers (Not To Mention "X-Men")

    After two consecutive weekends of some of Cannes 2011's biggest guns debuting Stateside as essentially the sole specialty options (Woody Allen's "Midnight in Paris" and Terrence Malick's "The Tree of Life"), the indie release calendar gets quite a bit more expansive this weekend. With three releases hailing from last year's Toronto Film Festival and one holdover from Cannes 2010, this Friday sees everything from Richard Ayoade's British coming-of-age comedy "Submarine," Mike Mills' whimsical romantic drama "Beginners," Shawn Ku's take on a high school shooting, "Beautiful Boy," and Cannes 2010's "Film Socialisme," the latest from legendary Fr...

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    MORE: Submarine
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    REVIEW | Grief Cycle: Shawn Ku's "Beautiful Boy"

    "Beautiful Boy" tests the extent to which one can wallow in another person's grief before it becomes unbearable. The focused story of two parents dealing with their son's decision to kill several students and then off himself during his freshman year of college, the movie dwells in discomfort. Peeking behind the curtain of a national tragedy, it functions as the cinematic corollary to Gus Van Sant's "Elephant," exploring the ripple effect rather than the cause. Unlike "Elephant," "Beautiful Boy" lingers in familiar dramatic territory, with a limited perspective that borders on the theatrical. The situation is extraordinary, but the fallout tu...

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    Critical Consensus: "Tree of Life" (Finally!) Arrives In Theaters as the Pick of the Week

    Days after it won the Palme d'Or in Cannes (and, on a lesser note, topped indieWIRE Cannes critics' poll), Terrence Malick's "The Tree of Life" hits theaters in New York and Los Angeles, followed by a national rollout throughout June. It also becomes our second critic's pick of the week (in a row, n...

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    Small Screens: indieWIRE's Top 4 Releases This Week

    This week two critically acclaimed docs hit DVD, Yves Saint Laurent gets remembered on VOD and David Hyde Pierce plays the perfect host.

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    Cannes '11: Five Lessons From This Year's Festival

    After 12 long days and even more sleepless nights for hundreds of people, the Cannes Film Festival finally came to an end Sunday. As with each year at this massive spectacle of media chaos and cinematic discovery, many moments and images (not to mention movies!) will continue to reverberate.

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