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Movie Reviews

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    Review | Taming the Man-Child: "Barry Munday"

    The story of an aging man-child has been told and retold so many times that it has evolved into a kind of narrative ritual. Witness the phenomena of Seth Rogen and his ilk, a brand exclusively defined for their dopey charm in the face of adult responsibilities, or the series of stubborn lackadaisical men throughout Mike Judge's oeuvre: The character type often works because he remains likable in spite of his archetypical trainwreck routine. Chris D'Arienzo's "Barry Munday" runs this playful stereotype into the ground with its titular crude ladies' man (Patrick Wilson), whose rough wake-up call arrives when he loses both testicles and looks be...

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    Review | Movies Within a Movie: The Anthology Documentary "Freakonomics"

    Equal parts journalistic exposé and targeted anthropological dissection, the slick anthology production "Freakonomics" makes heavy ideas go down easy. That's the point, of course: Based on Steven Levitt and Stephen J. Dubner's bestselling 2005 tome, the movie explores "the hidden side of everything" -- meaning the interpersonal rituals dictating when societal decisions get made, or should get made, or should not get made. It's a broad topic, which justifies the mini-movie format for probing the book's central concepts. Directed by a documentarian "dream team" composed of established non-fiction storytellers with divergent approaches, "Freakon...

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    Fantastic Fest | Unfunny Games: Miguel Angel Vivas's "Kidnapped"

    The first shot of "Kidnapped" (Secuestrados) shows an anonymous man struggling to breathe inside the plastic bag crudely wrapped around his head. It's no stretch to view this harrowing close-up as a physical representation of the impressively nerve-wracking experience that follows. Spanish director ...

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    criticWIRE @ Toronto: Grading All The Films (UPDATED)

    The 2010 Toronto International Film Festival has come to a close. As critics and bloggers file the last of their TIFF coverage, indieWIRE has asked them to submit their thoughts to our "criticWIRE poll," which compiles grades and review links from every single film that is screening in Toronto.

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    REVIEW | Generation in Action: The Social Mores of "The Social Network"

    The persona of Mark Zuckerberg depicted by Jesse Eisenberg in David Fincher's "The Social Network" is equal parts parts Ferris Bueller and Sammy Glick. Like Bueller, Zuckerberg lives his life free from any rules except his own. He replaces Bueller's charisma with pure stamina, however, reflecting Gl...

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    REVIEW | Counterculture Fetishization With Familiar Faces: "HOWL"

    This review was originally published as part of this year's Sundance Film Festival coverage. "HOWL" opens in theaters this Friday.

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    Toronto Fest in Rewind: The Highs, the Lows and the Overlooked

    "We don't talk much about faith at film festivals," said Cameron Bailey, co-director of the Toronto International Film Festival, from a podium last week. The assertion was a neat segue into his introduction for "The Way," Emilio Estevez's semi-spiritual drama about a father coping with the loss of h...

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    REVIEW | Leaving New York Again, Woody Allen Does Fine with "Stranger"

    With each new movie Woody Allen directs, it grows increasingly clear that leaving New York was the best decision he made in ages. Two years ago, Allen's "Vicky Cristina Barcelona" freed the quintessentially neurotic comic from his out-of-touch depictions of American urbanity by letting Spanish flavo...

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    Toronto Film Festival Reviews: 35 and Counting

    The 35th Toronto International Film Festival kicks off September 9, 2010 and runs through ten days and nearly 300 films - many of them among the most anticipated of the year. indieWIRE will be offering loads of reviews (though not quite 300) as the festival progresses, and this is a guide to each a...

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    Taking Over TIFF: James Gunn's "SUPER" In Focus

    The first big sales story out of the Toronto International Film Festival this year, James Gunn's "SUPER" derives much of its momentum from its positioning at the festival. Premiering in the midnight madness program, the movie operates in a more overt "fun" gear than the majority of that section, whi...

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