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Movie Reviews

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    REVIEW | Where the Comic Lies: Ricki Stern and Annie Sundberg's "Joan Rivers: A Piece of Work"

    With late night television dominating entertainment headlines this year in a less-than-flattering light, the time seems ripe to revisit the public's neglect of Joan Rivers. The 77-year-old comic's reputation sank from rising star to showbiz disaster over the course of a decade, mainly due to a shift in media perspective: The subversive broadcast performer became the disastrous face of plastic surgery. "Joan Rivers: A Piece of Work," the new documentary from directorial team Ricki Stern and Annie Sundberg, initially deals with that trajectory in visual terms. The comedienne first appears in unflattering close-up, getting mobbed with make-up, l...

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    REVIEW | Drama in Absence: Debra Granik's "Winter's Bone"

    An elegant, soft spoken noir, Debra Granik's "Winter's Bone" exudes desolation. Adapting Daniel Woodrell's novel of the same name, Granik simultaneously develops a dreary backwoods environment while situating her layered story of deceit within it. Set in the heart of Missouri's Ozark woods, the movie revolves around despondent teenager Ree Dolly (Jennifer Lawrence, in a focused, incessantly serious performance), whose father vanishes after selling their house as jail bond. Serving as a surrogate mother for her two younger siblings, Ree begins a trenchant investigation into her father's whereabouts, desperately seeking to keep her family from ...

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    REVIEW | Grown-Up Fairy Tale: Neil Jordan's "Ondine"

    The era of earnest fairy-tales for children quite possibly ended with the rise of "Shrek," a cynically-minded franchise that replaced sincere, imaginative storytelling with mostly heartless parody. Even when the bitingly sarcastic approach succeeds - the fourth and ostensibly final "Shrek" movie has its fair share of pointed one-liners and clever sight gags - it sacrifices the magic of invention that made its cliché-filled target so alluring in the first place. (There's nothing wrong with liking those particular clichés when they're properly served, but even Tim Burton's visually audacious "Alice in Wonderland" was a terribly self-aware imita...

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    Fifty Years Later, Radical as Ever: Revisiting Godard's "Breathless"

    Jean-Luc Godard's "Breathless" woke me up to the vitality of film language -- and, by extension, the medium's potential as an art form. I first encountered this existential slice of genre deconstruction on VHS, a format generally unkind to preserving dated moving image experiences, but perfectly ali...

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    Big Screen | Jeunet's "Micmacs" Hits America

    With "Sex and the City 2" continuing summer 2010's now month-long tradition of Hollywood films sucking, what better weekend to turn your summer filmgoing over to the art house? Though with films like "George A. Romero's Survival of the Dead" and "Agora" getting similarly horrific critical responses, perhaps it's just as bad on the other side. There is one arguable glimmer of cinematic hope this weekend though, care of the divisive magical realism of Gallic director Jean-Pierre Jeunet ("Amelie," "A Very Long Engagement"). His "Micmacs," a comic satire on the arms race, premiered at last year's Toronto International Film Festival and is being r...

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    REVIEW | Amenabar's "Agora" Rings Hollow Despite Visual Shock and Awe

    EDITOR'S NOTE: This review was originally published as part of indieWIRE's coverage of the 2009 Cannes Film Festival. "Agora" opens in theaters this Friday.

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    REVIEW | Business or Pleasure: Mia Hansen-Love’s "The Father of My Children" Twists the Dark

    This review was originally published as part of indieWIRE's coverage of the Toronto International Film Festival. "The Father of My Children" opened in Los Angeles last Friday, and debuts in New York City this week.

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    REVIEW | Jeunet Continues His Magical Realism With "Micmacs"

    This review was originally published as part of indieWIRE's coverage of the Toronto International Film Festival. "Micmacs" is being released in theaters this Friday.

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    Fantasy on the Croisette: Cannes in a Nutshell

    As it does every year, the Cannes Film Festival developed gradual momentum over the course of the last two weeks. The main competition, though really only one part of the annual story, nabbed the spotlight with a culturally diverse selection deemed spotty before it even started. Once the program beg...

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    CANNES REVIEW | Oh God(ard): Is "Film Socialisme" the Scandale au Festival?

    On the eve of Cannes, I sat with some colleagues around a dinner table overlooking the sea and the hulking Palais des Festivals beside it. The topic was the upcoming program and its potential for controversy. When movies screen under these grandiose conditions, they tend to meet wildly polarize...

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