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Movie Reviews

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    Puny: Matt Aselton’s “Gigantic”

    [An indieWIRE review from Reverse Shot.]

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    Nostalgia Factory: Christophe Barratier’s “Paris 36”

    [An indieWIRE review from Reverse Shot.]

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    Round Up: Ramin Bahrani's "Goodbye Solo"

    "'Goodbye Solo' is my third feature film," "Solo" director Ramin Bahrani explains in a first-person article for indieWIRE. "The story is about Solo, a young, friendly Senegalese taxi driver in Winston-Salem, NC who is hired by an elderly, Southern Caucasian man named William, to take him in two week...

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    On the Edge: Ramin Bahrani's "Goodbye Solo"

    [An indieWIRE review from Reverse Shot.]

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    Crashing the Party: Paul H-O & Tom Donahue's "Guest of Cindy Sherman"

    [An indieWIRE review from Reverse Shot.]

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    Round Up: Surveying "Sin Nombre"

    "I felt strange about the possibility of profiting on a story about real people risking their lives," "Sin Nombre" director Cary Joji Fukunaga told indieWIRE in an interview that details the extensive (and, at times, life-threatening) research he did for his feature directorial debut. "I get frustra...

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    SXSW '09: 14 Snapshot Reviews

    Editor's Note: The following are links to snapshot reviews from film critic Eric Kohn, offering a first look at the films screening at the 2009 SXSW Festival.

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    Review | The Eponymous Man: Ben Steinbauer's "Winnebago Man"

    "Winnebago Man" brilliantly encapsulates the transformative power of the online video boom. Director Ben Steinbauer focuses on "one of the greatest swearers of all time," the furious subject of a series of outtakes for a Winnebago promotional video, as both an example of viral media ramifications an...

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    This American Life Lesson: Roland Tec’s “We Pedal Uphill: Stories from the States”

    [An indieWIRE review from Reverse Shot.]

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    Uh-oh, It's Magic: Sean McGinly's "The Great Buck Howard"

    [An indieWIRE review from Reverse Shot.]

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