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Movie Reviews

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    REVIEW | Investigating an International Man of Mystery: Barbet Schroeder's "Terror's Advocate"

    There must be a fascinating flow-chart in the links between modern terrorism and Jacques Verges: Imagine the notorious lawyer at the center of a vast and intricate set of lines connecting Algerian freedom fighters to the Palestinian Front for the Liberation of Palestine to Pol Pot to Germany's Red A...

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    REVIEW | Doll Parts: Craig Gillespie's "Lars and the Real Girl"

    In "Lars and the Real Girl," Ryan Gosling gives an expectedly inward, gently mannered performance as Lars, a devastatingly closed-off, lonely twentysomething who lives in a garage behind the house of his brother, Gus, and sister-in-law, Karin, and works in one of those faceless, soulless cubicled offices that's become the standard for big-screen drudgery. Though Lars comes across as something of a sweetly standoffish innocent, his recurrent, pained eye twitches and pathological inability to join Karin and Gus for a home-cooked meal point toward a more profound inner torment. Seemingly paralyzed by the fear of integrating with society, Lars re...

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    iW REVIEW | Unknown Pleasures: Anton Corbijn's "Control"

    The facts: Joy Division was perhaps the most essential band to emerge from the crazily fecund Manchester scene of the late Seventies. During their truncated lifespan they birthed a pummeling music that was something like the noise from a particularly hideous new building's construction site, augmented by lyrics that spoke of emotional glaciation and a Ballardian sense of breakdown, intoned in a beyond-the-grave timbre by frontman Ian Curtis, a baby-faced Macclesfield pill-popper with a Vulcan haircut. Wracked by depression and intensifying epilepsy, Curtis committed suicide in 1980 at age 23, on the eve of his increasingly successful group's ...

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    PARK CITY '07 REVIEW | Suffer the Children: Amir Bar-Lev's "My Kid Could Paint That"

    EDITORS NOTE: This review was originally published during the 2007 Sundance Film Festival.

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    iW REVIEW | Gays and the Good Book: Daniel Karslake's "For the Bible Tells Me So"

    EDITORS NOTE: This review was originally published during the 2007 Sundance Film Festival.

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    iW REVIEW | Both Sides Now: Tony Kaye's "Lake of Fire"

    "Lake of Fire" begins with a shot of an anti-abortion billboard brandishing the words "Enjoy Life." No issue is so divisive in the United States as a woman's right to an abortion, and the idea of "life" - in terms of an embryo or fetus' status as a developed being, and in terms of the country's political and ethical make-up - is at the heart of it. "Lake of Fire," Tony Kaye's personally financed documentary seventeen years in the making, forces one to face the most troubling aspects of the abortion debate in all its moral ambiguity and ideological fervor. Not without flaws and omissions, Kaye's project is nonetheless entirely courageous, the ...

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    REVIEW | Behind the Music, A Soulful Man: AJ Schnack's "Kurt Cobain About a Son"

    Taped conversations between Nirvana front-man Kurt Cobain and music journalist Michael Azerrad form the attention-grabbing center of director AJ Schnack's otherworldly documentary "Kurt Cobain About a Son." The true highlights of the film, more than Cobain's never-before-heard commentary on life, death and the price of sudden fame, are Schnack's artful technique, pinpoint editing, clever animation and beautiful collage of Pacific Northwest landscapes and everyday Seattle people. "About a Son" lacks the storytelling energy to pull in audiences only half aware of Cobain's music and 1994 suicide. For music documentary devotees and Cobain's passi...

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    REVIEW | Foul Play: Marco Kreuzpainter's "Trade"

    Where to begin? Lowest-common denominator filmmaking in the guise of a "social problem picture," "Trade" does indeed make us mad, as director Marco Kreuzpaintner has said he wanted - but not in the way he intends. So much that's so wrong and so bad flies out of "Trade" so quickly that the audience practically has to duck and cover from shrapnel. From its flagrant exoticization-cum-demonization of Mexico City to its predictably trendy, faceless aesthetic to its uproariously hammy acting, "Trade" is a disaster from the top down. Obviously the work of a filmmaker who has genuinely no ideas about the ethics of storytelling or representation, "Tra...

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    REVIEW | Running on Schedule: Wes Anderson's "The Darjeeling Limited"

    Wes Anderson doesn't stray too far afield with "The Darjeeling Limited," but judging by his latest film's considerable merits, do we really want him to? Even a ten-year-old could point out the aesthetic and narrative similarities between Anderson's films, so consistently do they deploy the same visual tricks and emotional turnarounds, yet to observe "The Darjeeling Limited" from a simple evaluative distance would deny the immersive pleasures therein. Asking Anderson to change (or "grow," as some critics would call it) ignores everything that's right with the artistic fluidity from "Bottle Rocket" to here. If "The Life Aquatic with Steve Zisso...

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    REVIEW | ...or Famine: Robert Benton's "Feast of Love"

    A disclaimer: If your immediate reaction to seeing the title "Feast of Love" appear on-screen accompanied by what sounds like music from a rainforest documentary is anything other than "Oh, God, I'm in the wrong movie!" it's probable that we approach film art from across an unbridgeable divide. And ...

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