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Movie Reviews

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    REVIEW | Effective Optimism: Andy Bichlbaum and Mike Bonanno's "The Yes Men Fix The World"

    EDITOR'S NOTE: This review was original published as part of indieWIRE's coverage of the 2009 Sundance Film Festival. "The Yes Men Fix The World" opens this Wednesday in theaters.

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    REVIEW | Eternal Beauty: Margot Benacerraf’s “Araya”

    Continuing its mission to rescue lost classics from obscurity, Milestone Films follows up recently restored releases "Killer of Sheep" and "The Exiles" with Margot Benacerraf's lyrical and commanding "Araya," a film which, though it shared the International Cri...

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    REVIEW | The Coens Get Personal With Oddly Compelling "Serious Man"

    EDITOR'S NOTE: This review was originally published as part of indieWIRE's coverage of the Toronto International Film Festival. "A Serious Man" opens this Friday in limited release.

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    Nine New York Film Festival Reviews

    The 47th Annual New York Film Festival kicks off tomorrow night, and indieWIRE be bringing you two weeks worth of coverage from the scene. In the meantime, we've assembled this list of reviews of films screening in the festival:

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    REVIEW | Simplistically Charming "Capitalism" Doesn't Quite Add Up

    EDITOR'S NOTE: This review was originally published as part of indieWIRE's coverage of the Toronto International Film Festival. "Capitalism: A Love Story" opens in theaters today.

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    REVIEW | Distinctly Non-Commercial: John Krasinski's "Brief Interviews With Hideous Men"

    EDITOR'S NOTE: This review was originally published as part of indieWIRE's coverage of the Sundance Film Festival. "Brief Interviews With Hideous Men" opens in theaters this Friday.

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    Twenty-Five Toronto Reviews

    Catch up with indieWIRE's first batch of reviews from the Toronto International Film Festival:

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    REVIEW | Out of Fashion: Anne Fontaine's "Coco Before Chanel"

    Following in the footsteps of the unfortunate Jane Austen biopic "Becoming Jane," Anne Fontaine's glossy period piece "Coco Before Chanel" focuses exclusively on the youthful romances of a fascinating, independent woman in the years before her professional success. For this approach, the intention, or excuse, seems to be that in looking at her origins we will begin to understand the seeds of her artistic temperament, and that this is somehow more valuable than a glimpse into her actual process. Aside from this being a relatively specious, and utterly conventional, approach to hagiography, in each cases it also reduces a real-life woman to a s...

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    REVIEW | Uneven But Charming, "Informant!" Works On Basic Level

    With "The Informant!", Steven Soderbergh enforces a happy-go-lucky sensibility not unlike the hyperbolic punctuation in its title. Transporting the agreeable flow of his "Ocean's" series to a company espionage setting, the director turns a rather dry true life story of company conspiracies, embezzle...

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    REVIEW | Succeeding On Her Own Terms: Samantha Morton's "The Unloved"

    Actors directing features at the 2009 Toronto International Film Festival tackled wildly different material, but each displayed an attempt to try something ambitious. Maybe hanging around in front of the camera engenders a desire to figure out its boundaries, or perhaps veterans of the set simp...

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