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Movie Reviews

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    Back to Basics: Jan Troell's "Everlasting Moments"

    [An indieWIRE review from Reverse Shot.]

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    Triple Threat: Bong Joon-ho, Leos Carax, and Michel Gondry's "Tokyo!"

    [An indieWIRE review from Reverse Shot.]

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    Magi Hour: Albert Serra's "Birdsong"

    [An indieWIRE review from Reverse Shot.]

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    War Costs: Andrzej Wajda's "Katyn"

    [An indieWIRE review from Reverse Shot.]

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    Clothing Time: Michael Selditch and Rob Tate's "Eleven Minutes"

    [An indieWIRE review from Reverse Shot.]

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    Berlinale's Mixed Bag, and then Some Diamonds in the Rough: Berlin Critic's Notebook

    You get bored. Bored with saying, my god, how awful was that? Or: did you see 'X?' what a stinker. Because you didn't see 'X,' didn't have to sit through it, to have to accept or reject it, and with any luck, you never will.

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    Beyond Words: Linas Phillips’ “Great Speeches from a Dying World”

    [An indieWIRE review from Reverse Shot.]

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    Brighton Beach Memoirs: James Gray’s “Two Lovers”

    [An indieWIRE review from Reverse Shot]

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    Vertical Disintegration: Matteo Garrone’s “Gomorrah”

    [An indieWIRE review from Reverse Shot.]

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    Eagerly Expressing The Obvious: Berlin Critic's Notebook

    Five days into the 2009 Berlinale, and amid grumblings of discontent from critics ("Twenty films so far," said one colleague, "and I haven't seen one thing I'd champion") and a pronounced lack of enthusiasm among buyers, one sensed a new tone to proceedings: if the program couldn't entertain us, the...

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