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Movie Reviews

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    Dead Souls: "Alexey Balabanov's 'Cargo 200'"

    [An indieWIRE review from Reverse Shot.]

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    Expiration Date: Joel Hopkins's "Last Chance Harvey"

    [An indieWIRE review from Reverse Shot.]

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    Unforgettable: Ari Folman's "Waltz with Bashir"

    [An indieWIRE review from Reverse Shot.]

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    A Corner in Couscous: Abdellatif Kechiche's "The Secret of the Grain"

    There's no "secret" -- of cooking, of love, of financial success -- in Abdellatif Kechiche's "The Secret of the Grain," though there is indeed plenty of grain. Though it's also played under the simpler name of "Couscous," the film is actually called "The Grain and the Mullet" in French -- the latter half of the title denoting the fish and not the novelty haircut. Maybe none of these quite captures the film, which in its length and dozen-or-so characters is itself difficult to succinctly summarize, but the original title does at least point to fish and couscous, the celebrated signature dish of the now fractured Beiji family. Each Sunday, Soua...

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    Leap of Faith: Darren Aronofsky's "The Wrestler"

    [An indieWIRE review from Reverse Shot.]

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    So Help Me God: Rod Lurie's "Nothing But the Truth"

    [An indieWIRE review from Reverse Shot.]

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    Lady and Ghent: Christophe Van Rompaey's "Moscow, Belgium"

    [An indieWIRE review from Reverse Shot.]

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    Someone to Watch Over Me: Jose Luis Guerin's "In the City of Sylvia"

    "In the City of Sylvia," Jose Luis Guerin's odyssey of perception, is so dedicated to getting inside the act of cosmopolitan female-watching, it might as well be called "City of Women." Alert, feline-eyed Xavier Lafitte is a quiet young flaneur and diarist, an enigmatic figure introduced at loose en...

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    Travel Plans: Nacho Vigalondo's "Timecrimes"

    [An indieWIRE review from Reverse Shot.]

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    Blues Clueless: Rachel Samuels's "Dark Streets"

    [An indieWIRE review from Reverse Shot.]

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