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Movie Reviews

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    Sub-Par: Tykwer's "International" Opens Berlin With A Whimper

    It's a pretty easy equation, all things considered. "Opening Night film equals shite," muttered a British colleague, as we stood in the lobby of the Hyatt Hotel in Potsdamer Platz, about an hour before the first press screening at this year's Berlin Film Festival.

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    Multi-Dimensional: Henry Selick's "Coraline"

    [An indieWIRE review from Reverse Shot]

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    Scene It: Chiara Clemente's "Our City Dreams"

    [An indieWIRE review from Reverse Shot]

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    Give Up the Ghost: Milcho Manchevski’s “Shadows”

    [An indieWIRE review from Reverse Shot.]

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    Grindhouse: Brillante Mendoza’s “Serbis”

    [An indieWIRE review from Reverse Shot]

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    Living for the City: Barry Jenkins's "Medicine for Melancholy"

    The structure of Barry Jenkins's "Medicine for Melancholy" allows for a terrific twist right off the bat. Like many other modestly budgeted American indies, Jenkins's film follows two people getting to know each other, as they wander an expressive cityscape, over the course of one day -- aloofness gives way to intimacy, flirtation transitions into intellectual probing, daytime turns to night. The major difference here lies in the deployment sexual tension: this man and this woman aren't looking to sex as the endpoint, for this day is already the aftermath of an anonymous one-night-stand. The goal, as it were, has already been met; now if they...

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    Portraying Chaos: Ondi Timoner's "We Live In Public" (Sundance '09)

    According to documentarian Ondi Timoner, Josh Harris -- the Internet pioneer at the center of "We Live in Public" -- didn't mind revealing the more twisted aspects of his web-fueled career. "I don't care how you portray me," he said, "as long as you make a great film."

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    24 Sundance '09 Snapshot Reviews

    EDITORS NOTE: Below are a series of snapshot reviews provided for indieWIRE by film critic Eric Kohn, offering first looks at the films being shown at the 2009 Sundance Film Festival.

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    Youth Rebellion: Cary Joji Fukunaga's "Sin Nombre" (Sundance '09)

    At different times, "Sin Nombre" is a harsh coming-of-age tale, a gripping man-on-the-lam thriller, a social drama, a road movie, and a love story. Sometimes, it's all of those things. That's not to say the first feature written and directed by Sundance Lab alumnus Cary Joji Fukunaga suffers from an...

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    Bad Trip: Olly Blackburn’s “Donkey Punch”

    [An indieWIRE review from Reverse Shot.]

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