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Movie Reviews

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    What Reverse Shot Learned During Summer Vacation: 13 Lessons

    We'd prefer not to have to once again go over the corrosive specifics of the summer's oft puzzled-over "summer slump." But with its projected "whopping" 9% drop from 2004's box-office totals and 11.5% decline in attendance, what are we supposed to do in response? Suddenly decry the paucity of strong Hollywood product? Sorry for the lack of alarmism on our part, but we're not pubescent enough that we can't recall the dour humidity of summer 1995 ("Judge Dredd," "Congo," "Nine Months,"), the scorching sunburn of July 2000 ("The Perfect Storm," "Loser," "Coyote Ugly"), or even last year's less than tanned and toned lineup ("Scooby Doo 2," "I, Ro...

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    Brothers' Peepers: Gaël Morel's "Three Dancing Slaves"

    Andre Techiné's "Wild Reeds," still as urgently humane now as when it was released in 1995, has bestowed quite a legacy upon the new generation of French filmmaking. That film's psychosexual and political tangles have slowly but surely created tendrils that have reached all the way through an entire decade's worth of youth cinema. If Techiné's tender evocation of adolescent confusion and the growing social and moral awareness of a group of young friends in the early Sixties during the ongoing French-Algerian conflict had any sort of direct effect on the national cinema, it has been in its ability to pass on its spirit of rebelli...

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    Torture Chamber Drama: Park Chan-wook's "Sympathy for Mr. Vengeance"

    Quentin Tarantino doesn't make nearly enough movies. Thank heavens for Park Chan-wook. The first installment of Mr. Park's "Revenge Trilogy," "Sympathy for Mr. Vengeance," opens this week following, in reverse order, the surprise U.S. art-house success of his second entry in the series, "Oldboy." If...

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    To Die From: Marcos Siega's "Pretty Persuasion"

    For all the critics lamenting the turn to all-style/no-substance MTV aesthetics, former music video veteran Marcos Siega's "Pretty Persuasion" could have done well with a stylistic shot in the arm. Producing deft, relevant social satire is tricky enough without leaden direction weighing it down, especially when that satire is aimed at the frothy and fundamentally content-free microcosm of Los Angeles teen privilege. Films such as "Clueless" and "Election" (to which "Pretty Persuasion" owes its well-intentioned roots, even if it fails to flower) succeed on repeat viewings for precisely the same reasons "Pretty Persuasion" fails on its first an...

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    Deep Breath: Phil Morrison's "Junebug"

    Having moved away from my small New England suburb to New York City many years ago, I have noticed, with each returning visit, my perspective on my childhood home further evolving into something mysterious and ineluctably specific. It's not just a matter of aging or nostalgia; there's a sense of dee...

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    Fashion Victim: Jun Ichikawa's "Tony Takitani"

    Fashion Victim: Jun Ichikawa's "Tony Takitani"

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    Dirty Pretty Things: Michael Winterbottom's "9 Songs"

    Dirty Pretty Things: Michael Winterbottom's "9 Songs"

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    Too Much Information: Don Roos' "Happy Endings"

    Too Much Information: Don Roos' "Happy Endings"

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    Production Report: "The Bubble", "The Legend of Lucy Keyes", "Twixter," "Verschwinden," "Wild Seven"

    Production Report: "The Bubble", "The Legend of Lucy Keyes", "Twixter," "Verschwinden," "Wild Seven"

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    Back to the Future: Ingmar Bergman's "Saraband"

    Back to the Future: Ingmar Bergman's "Saraband"

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