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Movie Reviews

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    Review: Junkie Lovers Struggle to Survive In Tender Drama 'Animals'

    The initial scenes featuring young couple Bobbie (Kim Shaw) and Jude (David Dastmalchian, also the screenwriter) in Colin Schiffli's "Animals" are so precious that it comes as a shock to discover that they're both heroin addicts.

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    Cannes Review: 'Blue Ruin' Director Jeremy Saulnier Scores Again With Bloody 'Green Room'

    A punk band faces off against killer neo-Nazis in this rambunctious, Peckinpah-style thriller.

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    Cannes Review: Joachim Trier's 'Louder Than Bombs' is a Complex Family Drama Done Right

    Jesse Eisenberg, Isabelle Huppert, Gabriel Byrne and excellent newcomer Devin Druid star in the Norwegian director's first English language film.

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    Review: Brad Bird's 'Tomorrowland,' Starring George Clooney, is More Than Just a Theme Park Ride

    "Tomorrowland" is a big, flashy blockbuster -- but there's a lot more to it than that.

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    Review: 'Bessie' Excels in its Eccentricities, But Ultimately Feels Too Familiar

    A custom-made role for Queen Latifah fits right into a movie that's a little too comfortable.

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    Why Does the Cannes Film Festival Keep Programming Naomi Kawase's Movies?

    Other than some cooking ideas, the latest dud from Naomi Kawase is unlikely to inspire.

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    Cannes Review: Vincent Cassel and Emmanuelle Bercot Can't Save Maïwenn's Middling 'Mon Roi'

    The French director's follow-up to "Polisse" is the tale of a doomed relationship we've seen before.

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    Cannes Review: Todd Haynes' 'Carol' is a Masterful Lesbian Romance Starring Cate Blanchett and Rooney Mara

    The director's adaptation of Patricia Highsmith's "The Price of Salt" does justice to the work and then some.

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    Review: Asif Kapadia's Amy Winehouse Documentary is Heartbreaking and Extraordinary

    Kapadia is back, following his award-winning documentary "Senna," with another portrait of a iconic character.

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    Cannes Review: Nanni Moretti's 'Mia Madre' is a Personal Project in the Worst Way Possible

    The Italian filmmaker's story of a director dealing with her mother's imminent death is intimate but unfulfilling.

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