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    Oscar Watch: Rockwell Nails Conviction Role

    Sometimes, there comes a moment in a working actor's life where just the right role suddenly galvanizes awards attention. I've been tracking Sam Rockwell since he broke out at Sundance in 1996 with Tim DiCillo's Box of Moon Light. Rockwell has been knocking out great juicy performances ever since--o...

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    Oscar Talk Wrap-Up: Never Let Me Go Wanes, Foreign Contenders, Blue Valentine, Harry Potter

    During this week's Oscar Talk podcast, Kris Tapley (InContention) and I were joined by indieWIRE's awards expert Peter Knegt and InContention's Guy Lodge, both in London covering the festival.

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    Oscar Watch: Palm Springs, Santa Barbara Fests Push Oscar Hopefuls Like Mulligan, Franco

    It isn't news that Oscar campaigners take advantage of fall film fests in L.A. and NY that are designed to draw awards attention. MCN's David Poland rants about con-man Carlos Abreu's bogus Hollywood Film Festival (which I refuse to take seriously) and IFP's Gotham Awards, which are far more legitim...

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    Gotham Nominees Signal Awards Season Indie Players, Led by Winter's Bone

    This year's Gotham Award nominees from Independent Feature Project signal the key indie players in this year's awards season. Fox Searchlight's Black Swan, Weinstein Co.'s Blue Valentine, Focus Features' The Kids Are All Right and Roadside Attractions' Winter's Bone were expected to lead the best fe...

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    TIFF Between a Rock and Hard Place: Boyle and Franco Talk 127 Hours

    I interviewed 127 Hours producer Christian Colson and writer Simon Beaufoy, the same team who worked with Danny Boyle on Slumdog Millionaire, just before my flipcam chat with Boyle and James Franco (below).

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    Aronofsky Talks the "Nightmare" of Getting 'Black Swan' Made

    Darren Aronofsky's Black Swan opened the Venice Film Festival and took the Lido by storm. I talked with the director about the long "nightmare" of getting the script right and financing the film, casting Natalie Portman and Vincent Cassel, shooting in a gritty up-close verite style, and how he set a...

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    Waiting for Malick: Which Film Fest Will Debut Tree of Life?

    After not showing at Cannes or Venice, Terrence Malick's The Tree of Life did screen at Telluride: but only six people saw the cut-down movie (two hours, 15 minutes) at two separate screenings for Sony Pictures Classics and Fox Searchlight, which landed the picture. The Tree of Life is inspiring rav...

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    TIFF: Tony Goldwyn Talks Conviction, Betty Anne Waters, Hilary Swank, Sam Rockwell

    At this year's Toronto Film Fest, indieWIRE interviewed filmmakers and stars at Live at the Lounge every day. In my talk with Conviction director Tony Goldwyn (video below), he admitted, as David Schwimmer had several days earlier with rape drama Trust, that serious dramas are the hardest films to f...

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    Telluride: 127 Hours So Intense, Medics Attend to Overcome Moviegoers at Two Screenings

    TOH Telluride correspondent Meredith Brody reports seeing on Saturday night "somebody being taken out on a gurney from the Galaxy" showing of 127 Hours and later that night at a second screening of the Danny Boyle film, "ambulances with multicolored flashing lights pulling into the Palm."

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    Fest Review Round-Up: Never Let Me Go, Tabloid, Somewhere

    While the Venice Fest is on its fourth day, Telluride got under way Friday night with screenings of Mark Romanek's Never Let Me Go, Errol Morris's latest doc Tabloid and Peter Weir's prisoner-of-war drama The Way Back, which fewer people instantly reviewed. @EugeneNovikov tweeted: "THE WAY BACK (B) ...

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