Shooting on Film Just Got Much Easier
The celluloid renaissance has led Kodak to open their own labs in major production cities.
Cinematography
Cinematographer Rachel Morrison On Creating the Lush Realism of ‘Mudbound’
Morrison breaks down how she created the stunning look of the post-WWII South in the hit Sundance film.
Cinematographers Guild Nominates Oscar Frontrunners ‘La La Land,’ ‘Moonlight’
Veteran Rodrigo Prieto (“Silence”) joins four first-time American Society of Cinematographers nominees.
2017 Oscar Predictions: Best Cinematography
Shooting on film could bode well for “La La Land” in the race for Best Cinematography.
AFI FEST 2016: What Cameras Were Used to Shoot This Year’s Films
Filmmakers in “New Auteurs” and “American Independent” categories explain why they picked their particular camera.
Oscars 2017: Why Cinematographers for Scorsese, Chazelle and More Shot on Film
“La La Land,” “Fences” and “Silence” lead a pack of Oscar contenders that were shot on celluloid.
‘Moonlight’ Glow: Creating the Bold Color and Contrast of Barry Jenkins’ Emotional Landscape
Cinematographer James Laxton and colorist Alex Bickel break down how they created the look of this year’s breakout indie; plus exclusive images.
Why ‘The Accountant’ and ‘Nocturnal Animals’ Shot on Film
For cinematographer Seamus McGarvey, capturing disparate looks in the Ben Affleck action thriller and Amy Adams romantic thriller was made easier shooting on film.
‘Indignation’: How the Cinematographer Digitally Created the Look of 1950s Film
Cinematographer Christopher Blauvelt breaks down how he used the latest technology to capture the color palette of early reversal color stock.
Channeling David Fincher: How ‘House of Cards’ Created a ‘Hyper’ Look For Its Most Ambitious Episode
Cinematographer David Dunlap breaks down shooting the episode that snagged a Best Cinematography nomination.
‘Men Go To Battle’: How To Shoot a Period Piece Indie
Cinematographer Brett Jutkiewicz explains how he created an unembellished Civil War Era indie with minimal resources.
Mark Lee Ping-Bing’s Layered and Luminous Cinematography Shows the Power Of Minimalism
The great Taiwanese DP and Hou Hsiao-Hsien collaborator sits down with IndieWire to reflect on his career as MoMA starts a major retrospective of his best films.
