‘Thoroughbreds’ Created a Colorful Noir Using Natural Light and the Latest LED Technology
Cinematographer Lyle Vincent talks about how he used ARRI’s Sky Panels to create an unique neo-noir lighting scheme.
Cinematography
Roger Deakins Explains Why He Insists on Operating the Camera Himself — Watch
The 14-time Oscar nominee shares with ARRI his philosophy of cinematography
Oscar-Nominated DP Rachel Morrison Learned to React to Characters’ Emotions by Shooting Docs and Reality TV – Watch
The Oscar-nominated cinematographer talks about her career path in a conversation with ARRI.
‘Black Panther’: Oscar-Nominated Rachel Morrison Shot the Most Significant Marvel Movie Since ‘Iron Man’
Morrison reunited with director Ryan Coogler (“Fruitvale Station”) to tackle the MCU as “The Godfather” meets James Bond.
7 Other Women Who Deserved Oscar Nominations for Best Cinematography
Rachel Morrison earned an historic nomination for shooting “Mudbound,” but she’s hardly the first woman who deserved the honor.
Why Todd Haynes and Ed Lachman Are the Most Important Collaboration in Cinema
In “Wonderstruck” the duo recreate the visual language of the gritty ’70s and the formalism of a black and white silent film.
Robert Yeoman Looks Back on Filming Six Wes Anderson Films: ‘We Always Find a Way of Pulling it Off’
From “Bottle Rocket” to “The Grand Budapest Hotel,” we have to thank Robert Yeoman for Wes Anderson’s one-of-a-kind vision.
How Paul Thomas Anderson Dirtied-Up ‘Phantom Thread’ to Avoid the Polish of ‘The Crown’
PTA’s long-time gaffer and camera operator talk about the nine months of experimentation to find a look that went against everyone’s better cinematography instincts.
The 10 Best Cinematographers of 2017, Ranked
From “Mudbound” to “Dunkirk,” Roger Deakins to Michal Marczak, here are the 10 movies with the best cinematography of the year.
How Greta Gerwig’s Brilliant Use of Colors Turned ‘Lady Bird’ Into an Emotional Nostalgia Trip
Gerwig, DP Sam Levy and colorist Alex Bickel reveal their unique process with these exclusive before-and-after images from the color correction process.
‘The Shape of Water’: Guillermo del Toro Shot his Passion Project as an Aquatic Metaphor
Cinematographer Dan Laustsen used deep-sea colors and a fluid camera for del Toro’s Oscar-contending, romantic fairy tale.
Pedro Almodóvar On Why He Misses Shooting On Film
The Spanish auteur told IndieWire he is not thrilled with digital cinematography.
