Even though Christopher Nolan -- advocate for film stock over digital and IMAX over 3D -- can present his own movies however he wants, even if Warner Bros. would've love some extra three dimension coin from "The Dark Knight Rises," that power doesn't seem to extend to movies he exe...
Read More »Minor news out of Namibia today which may upset some slightly, but all in all, it shouldn't be much of a concern. George Miller's long-gestating "Mad Max: Fury Road," which had been in the works for a few years now, but was delayed for almost 24 months due to innapropriate weather ...
Read More »We're coming up to three years since "Avatar" became the biggest-grossing film in history, and any thought that 3D film, which James Cameron's picture helped to revive, was a flash in the pan seems to have been wishful thinking. The top two slots at the current U.S. box office are taken by two 3D fi...
Read More »At this point, the folks at Twentieth Century Fox don't need to promote Ridley Scott's "Prometheus." So co-chairmen Tom Rothman and Jim Gianopulos ran through the summer and fall slates--diverse, something for everyone, etc--and saved the big guns for something new they hadn't promoted before: Ang L...
Read More »Yesterday, Universal announced that they'd shifted their hopeful Tom Cruise blockbuster "Oblivion" into April, to make way for a prime, heart-of summer slot for a movie that will be twenty years old in 2013 -- a 3D re-jig of Steven Spielberg's "Jurassic Park," the one-time biggest hits of all time. ...
Read More »Yesterday I posted a Conversation piece at Movies.com rounding up quotes from around the web on some of this year's most anticipated movies. I also shared some results I received through a poll I conducted on Twitter. The conclusion I've made about the coming year is that it promises a lot o...
Read More »Despite James Cameron's best intentions, for the most part, the 3D format has primarly been utilized as a cash grab by studios looking to pad out the bottom line in an era when box office receipts appear to be on the decline. However, 2011 marked a bit of a change. At the arthouse, Werner Herzog...
Read More »If there is a single cinematic subject that seems to unite commenters, bloggers, filmmakers, distributors and exhibitors in vehemence, it has to be the rise/fall of the exciting new format/gimmicky fad that is the post-“Avatar” 3D film. However, rather frustratingly if you’re, say, researching an ar...
Read More »Let me start off by saying that I love Martin Scorsese's "Hugo." It's the perfect blend of "Amelie" and "The Sandlot" and "Cinema Paradiso" and the spirits of Charles Dickens and Jules Verne and of course the works of George Méliès and th...
Read More »As a frame of reference for those of you eagerly awaiting the Jackson/Spielberg The Adventures of Tintin, which opened well in Europe this week, here's the first black-and-white stop-motion part of what some folks grew up on in Europe: Tintin and Snowy (or Milou) in Claude Missone's Le crab aux pinc...
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