In 1971 Nicholas Ray, former Hollywood director of "Rebel Without a Cause" and "Bigger Than Life," accepted a teaching position at Harpur College of Arts and Sciences at SUNY Binghamton University in upstate New York. At the time the university was seen as the epicenter of experimental and avant-garde art (the film program at Binghamton having been started by renowned experimental filmmaker Ken Jacobs). At some point during his two-year tenure, Ray moved into a house off campus with a group of his students and began collaborating on "We Can't Go Home Again," a project that would screen at Cannes in 1973 but was tinkered with, by Ray, until hi...
Read More »Also Release New Documentary Don't Expect Too Much'We gotta hand it to Oscilloscope Laboratories. Founded by Beastie Boys member Adam Yauch, it could so easily have become a vanity DVD label without much influence or clout, but it has quickly risen to be strong independent player both theatrically a...
Read More »"I'd like to be for cinema what Shakespeare was for theatre, Marx for politics and Freud for psychology: someone after whom nothing is as it used to be,” German director Rainer Werner Fassbinder once declared, likely half-seriously, half facetiously.
Read More »Ohhhh, Christopher Evans. Is Chris Evans 2011's Crush of the Year? Edgar Wright has a crush on him. GQ has a crush on him. And you know I wave my Chris Evans Crush Flag every day, readers. I mean, I suffered through THE SECOND FANTASTIC FOUR MOVIE FOR HIM. That is how I show my love. I watched "Fantastic Four: Rise of the Silver Surfer" in the theaters. Also, I saw "The Losers" in theaters and greatly enjoyed it. Yes, I know that this is The Playlist, but I will admit that here in that forum. I will also admit this: I had a dream last night that I was flying around in a space shuttle above LA with Chris Evans and January Jones. So yes, you co...
Read More »Rainer Werner Fassbinder’s “World on a Wire,” a once-thought-lost, nearly-four-hour-long sci-fi epic about the nature of reality and the ways in which we lose ourselves in that potentially futile quest, was made way back in 1973 and for that reason alone, it’s hard not to goggle in awe at how ahead ...
Read More »Plus 7 More Things Learned From The FilmLinc Conversation Sunday NightAs you may already be aware, this past weekend the Film Society of Lincoln Center celebrated the opening of their new film center with a marathon of events that included a conversation between the Coen Brothers and Noah Baumbach and a screening of the '80s cult film “Valley Girl” with its director Martha Coolidge being interviewed by Kevin Smith. But for their final night of the celebration they left a real treat: a screening of the 1971 classic “Carnal Knowledge” with director Mike Nichols there in person for a Q&A moderated by filmmaker Jason Reitman. The film stars a you...
Read More »It has been almost four decades since Terrence Malick's debut feature film "Badlands" and if you haven't seen the film in a little while, it's just as good you remembered it. Starring Martin Sheen and Sissy Spacek, "Badlands" sounds about as un-Malick-esque as you can get. Loosely based on the true story of Charlie Starkweather and his 14-year old girlfriend Caril Ann Fugate who went on a two-month road trip through Nebraska and Wyoming in 1958 and stacked up eleven murders, Malick re-imagines them as Kit and Holly, but this isn't your standard "Bonnie & Clyde" styled flick. Lyrical, enigmatic and pastoral, frame-by-frame the style and tone t...
Read More »After years in a floating-head wilderness, the art of movie poster design has had a bit of a shot in the arm in recent years, thanks to Criterion covers, self-commissioned work by cult designers like Olly Moss, and artisan one-sheets for one-off screenings at theaters like the Alamo Drafthouse and t...
Read More »Nicholas Ray is a truly fascinating figure. The filmmaker, who was born 100 years ago this year, directed a series of hugely influential pictures in the 1940s and 1950s, most notably "Johnny Guitar" and "Rebel Without a Cause," but never quite got the respect he was due in the States (although the C...
Read More »Imagine an alternate universe where Jerry Schatzberg's underrated 1973 Palme d'Or-winning "Scarecrow" was a goofy comedy with Bill Cosby and Jack Lemmon (for further fun, imagine "Panic in Needle Park" in the same way). It sounds silly, but it could've happened had the stars lined up differently.
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