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Sci-fi

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    District 9: Oscar Contender?

    District 9 is a great movie that deserves every kudo and by all accounts played great for the Academy the other night.

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    Avatar Week: Photo Gallery

    I'm obsessed with Avatar. (The movies of James Cameron are moving inexorably up my flickchart.) The question for me is whether Cameron's ambitious mix of 3-D live-action and performance capture --which cost Fox way more than $200 million-- breaks out beyond the Comic-Con faithful. It feels very sci-...

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    Weekend B.O., District 9 No. One, Rise of Streep, Fall of G.I. Joe

    Sony marketing took rookie Neill Blomkamp's $30-million VFX thriller to a terrific estimated $37 million--it wasn't the stunning reviews alone. All the Comic-Con raves and critics and folks on twitter and facebook had a viral impact. The R-rated sci-fi thriller opened well to its largely male base....

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    District 9 Must Do Well

    Root for District 9 to do well. The Comic-Con hit represents a lifeline to Hollywood. Commercial director Neill Blomkamp (with backing from Peter Jackson) has made an intense, unpredictable, edge-of-your-seat sci-fi thriller that throws you into the doc-like reality (think Cloverfield on steroids) o...

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    Cameron's Blue Avatar, Swinton Hauls Movies, Moore Traverses Fest, Ebert's Best Movies

    James Cameron’s new poster for Avatar is an extreme close-up of a blue Nav'i alien from the Planet Pandora. It’s an arresting image that makes you stop and pay attention. Cameron wants you to know he’s taking you somewhere you’ve never been before. Jeff Wells hates this poster. There’s plenty of tim...

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    Cameron talks Avatar

    When I talked to James Cameron at Comic-Con (below), he admitted that he and producer Jon Landau know that they have a lot of heavy lifting to do before the 3D sci-fi epic Avatar hits screens on December 18. 24 minutes of footage played great at the Con, where Cameron announced that Fox will screen ...

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    Comic-Con: Cameron Wows with Avatar

    Twentieth Century Fox co-chairman Tom Rothman came down to San Diego to intro James Cameron, who in turn presented 24 minutes of footage from Avatar. The studio has backed Cameron's R & D for the dozen years since Titanic. After earning credibility with the deep sea documentary world with a series of 3D docs, Cameron finally opted to chase the promise of advanced 3-D motion-capture with an original story that had been sitting in his drawer for 14 years. But no matter how fabulous this movie looks--and it wowed Hall H, the perfect target audience for a sci-fi adventure--Fox has to market this movie without major stars, branding and the kind of...

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    #SDCC Comic-Con Separates Top Draws Avatar and Twilight: New Moon

    Last year, I remember a few diehard fanboys mocking me when I flagged Twilight as a big deal at Comic-Con. The power of Twilight fans became clear as thousands of girls screamed their lungs out for emerging star Rob Pattinson. Helping to avert certain traffic gridlock, Comic-Con organizers pushed apart back-to-back Thursday panels for Twilight: New Moon and James Cameron's Avatar, by far the most anticipated two panels of the Con. Many were concerned that the threatened tsunami of fans surging toward Hall H Thursday morning (many of them female, in this very male-dominated universe) would make it tough to also cover Disney's 11 AM 3-D panel ...

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    Paramount Scores Orci and Kurtzman Project

    It's not surprising that new Paramount production head Adam Goodman took advantage of his DreamWorks insider status and nabbed a high-profile project, License to Steal, from the super-hot screenwriter-producing team Alex Kurtzman and Roberto Orci. This buy of an overtly commercial Salon feature about globe-trotting Repo men chasing luxury planes and boats was pursued by several top directors and producers. It signals that an inside-Hollywood pro is back in charge, and the once-quiet studio is back in buying mode. When Paramount put into turnaround projects such as John Carter of Mars and Twilight , that sent another signal: the studio didn't ...

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    Don't Feel Sorry for Michael Bay

    Nobody likes Michael Bay. Give the media a big fat target like a Forbes "who is richer" entry, and they will not resist piling on. New York's Vulture even calls him "the mogul of mindlessness." Lest we feel sorry for him, the guy owns Digital Domain and gets 10% of the gross on the Transformers movi...

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