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Awards

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    Alliance of Women Film Journalists Nominees

    The Alliance of Women Film Journalists has posted its nominees for the 2010 AWFJ EDA Awards (full list is below). Nominated for Best Film are Black Swan, Inception, The King's Speech, The Social Network and Winter's Bone. Oddly, The Kids Are All Right received 16 nominations-- but not best picture. ...

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    The Social Network Tops Village Voice/LA Weekly Critics Poll

    Lo and behold, The Social Network tops yet another critics list--the Village Voice/LA Weekly Year-End Poll--by a good margin, followed by Carlos, Winter's Bone and The Ghost Writer. Olivier Assayas won best director for Carlos, followed by The Social Network's David Fincher, Darren Aronofsky (Black ...

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    Mark Lisanti Makes You Work for His Ten Best List

    Writer Mark Lisanti makes you work for his Ten Best List. You want titles? Name them yourself. Here are four (easy ones) from his no-particular-order list:

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    Brits Weigh In: King's Speech, Another Year Lead London Critics

    Don't underestimate the Brit factor when it comes to Oscar influence. There are many Brit voters in the Academy. The London Critics Circle just gave boosts to two Brit films, The King's Speech (seven nominations, including Film of the Year, Brit film of Year and Actor of the Year, Colin Firth) and A...

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    Black Swan Psychology Art vs. Science; Sex vs. Sexy: Which Sells Movies?

    - Black Swan offers fuel for an Art vs. Science debate. Consider these professional-opinion-posturings on Black Swan ballerina Nina (Natalie Portman) and her mental state. Nadine Kaslow (Dept. of Psychiatry, Emory University) says: "It was intense and disturbing and fascinating and mysterious…What w...

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    Exit Through The Gift Shop's Banksy Named Torontoist 2010 Hero; Talks Art, Film To Change The World

    Exit Through The Gift Shop's semi-subject and director Banksy has been named one of the Torontoist's 2010 Heros (they've got Villains, too). In May, the mysterious street artist created seven pieces throughout the city (by now most are gone, the inevitable fate of street art). But, as Torontoist's Nick Mount writes, "the main virtue of Banksy's North American tour is simply that it got some of us out of our homes and into what's left of our public spaces on a collective scavenger hunt, searching for Banksy and often finding each other." Torontoist says of the seven gifts to their city, "That Toronto fucked them up was too bad, but what matter...

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    THR Directors Round Table: Aronofsky, Weir, Hooper, Cholodenko, Cianfrance, Russell

    Award season director contenders Darren Aronofsky (Black Swan), Lisa Cholodenko (The Kids are All Right), David O. Russell (The Fighter), Derek Cianfrance (Blue Valentine), Peter Weir (The Way Back) and Tom Hooper (The King's Speech) talk for 68 minutes, spending time on MPAA ratings and bad behavio...

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    The Social Network Leads IndieWIRE Critics, Gold Derby Polls

    Yet again, The Social Network is proving itself to be a consensus title among critics. It tops indieWIRE's critics poll. Many also loved Winter's Bone or Black Swan, but they all love The Social Network. It may not be number one on every critic's list, but it's in just about every top five. 71 of th...

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    Oscar Watch: 248 Films Eligible for Best Picture

    The Academy has gone through all the submissions for best picture this year and counts two hundred forty-eight feature films that are eligible. To be eligible for 83rd Academy Awards® consideration, feature films must open in a commercial motion picture theater in Los Angeles County by midnig...

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    Scott's State of Cinema, Firth's King George Speech, Franco Fights Boredom

    A year from now, most 2010 releases will be forgotten, to be replaced by sequels and flashy remakes. As the first decade of the twenty-first century closes, the NYT's A.O. Scott explores the themes of 2010 (defining the first year of the new decade, perhaps). He shares thirty examples of films from 2010 that "defy expectations and break patterns." 2010 will only become the "answer to a trivia question" for films that maintain their relevance over time, he asserts. Was 2010 a good year in film? "Who cares?…The movies — good and bad alike — shed a blinking, blurry light on the times, illuminating our collective fears, fantasies and failures of ...

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