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    Oscar Talk: Post-Toronto, 127 Hours, King's Speech, Social Network, I'm Still Here

    In Contention's Kris Tapley and I talked in the same city for this week's Oscar Talk. He's seen Catfish and The Social Network; I saw a bunch of new movies in Venice and Toronto including I'm Still Here, Rabbit Hole, Beginners, and I Saw the Devil.

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    TIFF Client 9: The Rise and Fall of Eliot Spitzer Review, and Alex Gibney Talks

    Alex Gibney's hugely entertaining Eliot Spitzer doc, Client 9: The Rise and Fall of Elliot Spitzer, is a leading contender for this year's doc Oscar. The movie is full of surprises. In my flip cam interview with Gibney (below) he explains how the story he tells turned out far different from what he ...

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    Lionsgate Goes for Oscar Gold on Rabbit Hole, Starring Kidman

    Lionsgate is diving back into the Oscar race--this is the studio that delivered the Oscar-winning Precious--by acquiring North American rights to John Cameron Mitchell's Rabbit Hole, starring Nicole Kidman, Aaron Eckhart and Dianne Wiest, which debuted in Toronto September 13. The movie, adapted by ...

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    Toronto Faves Client 9 and Inside Job, Waiting for Superman Lead Oscar Docs

    Some of the best films I saw in Toronto were docs, and there's no question that the doc Oscar race will be one of the most competitive in years.

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    The Social Network Early Reviews: Suspenseful, Absorbing, Compelling, Oscar Frontrunner

    Film Comment's Scott Foundas got the ball rolling a month before David Fincher's The Social Network was set to open the NYFF ("big and brash and brilliant") on September 24. And Rolling Stone's Peter Travers swiftly offered up a juicy Tweet quote: “David Fincher’s Social Network is the 1st film I’ve...

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    Toronto Update: Weinsteins and Sony on Buying Spree, Acquire Submarine, Insidious

    On the Toronto acquisitions front, both The Weinstein Co. and Sony have been buying movies.

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    TIFF: Weinstein's Dirty Girl Pick-Up Talk of CAA Party

    The Weinsteins' acquisition of Abe Sylvia's 80s period Dirty Girl for $3 million was the talk of the jammed CAA party Sunday night. $3 million (for rights in the U.S., France, United Kingdom, Australia/New Zealand and South Africa) is a big number in today's contracted indie marketplace. A high scho...

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    Venice Wrap: Best of Fest, Winners and Losers, Golden Lion Goes to Somewhere

    The Venice Film Festival, the oldest in the world, is winding up its 67th edition, my first. (UPDATE: The Golden Lion award went to Sofia Coppola's Somewhere on Saturday amid charges of favoritism on the part of jury president Quentin Tarantino; they once dated.) Venice is more intimate than Cannes,...

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    Oscar Talk: Venice, Telluride, Toronto, from Black Swan to Never Let Me Go

    Now that Kris Tapley and I have actually seen some films, we dig into the nitty-gritty of how they will fare in the Oscar race. We discuss among other things Another Year, Black Swan, Never Let Me Go, Meek's Cutoff, The Way Back, The King's Speech and Detective Dee and the Mystery of the Phantom Fla...

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    Telluride Review: Weir's Triumphant The Way Back Is Slowed Down by History

    Telluride correspondent Tim Appelo is not taking any guff on Peter Weir's The Way Back. He likes it.At the Floradora on Telluride’s main street, Peter Weir was like the dauntless pilgrims of his great escape movie The Way Back, who incredibly fled Stalin’s Siberian gulag and trekked through Mongolia...

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