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Box Office

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    Production News: Bourne Without Bourne, Mad Max Stalls, Eastern Promises 2

    - Writer-director Tony Gilroy is trying to have it both ways. He confirms that The Bourne Legacy will be made without Matt Damon - but he contradicts himself. "This is not a reboot or a recast or a prequel. No one's replacing Matt Damon," Gilroy says. "There will be a whole new hero, a whole new chapter…this is a stand-alone project" that happens to be using the title of Robert Ludlum's book, "but will not use the story":"The easiest way to think of it is an expansion or a reveal…Jason Bourne will not be in this film, but he's very much alive. What happened in the first three films is the trigger for what happens. I'm building a legend and an...

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    Studios Pull Out Marketing Stops on Tron: Legacy and Waiting for Superman

    Studios Paramount and Disney are kicking marketing into gear for the education doc Waiting for Superman and the 3-D VFX extravaganza Tron: Legacy, respectively.

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    Weekend Box Office: Word-of-Mouth Sells Social Network Over Newbies Life as We Know It, Secretariat

    Strong word-of-mouth propelled The Social Network to a strong hold over two openers with femme appeal, the Katharine Heigl rom-com Life as We Know It and the 70s true story sports drama Secretariat, starring Diane Lane. Anthony D'Alessandro reports.A soft Columbus Day weekend frame totaling an estimated $76 million, off 16% from a year ago, slowed moviegoing for new entries this weekend, but kept holdovers alive. Sony’s The Social Network remained online with the masses, hanging onto No. 1 with $15.5 million, off a sweet 31%.  The film saw a 32% spike between Friday and Saturday, clearly indicating that word-of-mouth continues to be strong f...

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    Be a Douchebag With Your iPhone

    Drake Doremus' low-brow Sundance comedy Douchebag, which opened in New York over the weekend, is about two brothers, one on the verge of marriage, who go on a wild goose chase to find the other's fifth grade girlfriend. While some big studio films (Tron: Legacy comes to mind) have developed iPhone a...

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    The Social Network's Treatment of Women, Winterbottom's Kercher Murder Mystery to Star Firth

    -It's no surprise that David Fincher and Aaron Sorkin's The Social Network is getting Oscar-buzz, zeitgeist hype and debates about what is fact and fiction. Now the role of women in the film is kicking up controversy. The Daily Beast's Rebecca Davis O'Brien argues that the femme roles are props in a...

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    The Social Network Plays Well to Academy

    Saturday's Academy screening of The Social Network played well to a full house--the movie also opened at number one this weekend, and scored rave reviews, which won't hurt with Oscar voters.

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    Weekend Box Office: The Social Network Clicks to Top

    The most buzzed-about launch of the fall season, The Social Network met (but did not exceed) expectations with a $23-million start, while hard-R vampire thriller Let Me In proved to be a classic tweener: too bloody violent for upscale smart-house crowds and too European for mainstream gore-hounds. Anthony D'Alessandro explains:Sony’s PG-13 Facebook origin myth The Social Network effortlessly clicked its way to the top box office spot with $23 million – a number which was in line with studio estimates, but fell short of crashing any ticket booth’s computer with a fall record.  Two R-rated thrillers, Overture’s vampire remake Let Me In and Para...

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    Social Network Update: Charlie Rose, Wired

    It's fascinating to see the dynamic between The Social Network visualist David Fincher (not a wordsmith) and scribe Aaron Sorkin on Charlie Rose. Fincher seems deferential, and Sorkin dominates the space. Not the usual director/writer interaction.

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    Weekend Box Office: Wall Street: Money Never Sleeps Easily Clips Legend of the Guardians, You Again

    There's life yet in the adult drama, as Oliver Stone's Wall Street sequel easily outscored the weekend competition. Anthony D'Alessandro reports.

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    Weekend Box Office: Affleck's The Town Breaks Warners September B.O. Record

    With The Town, Ben Affleck proves that he can open a movie--if he directs it. Not only did the Warner/Legendary movie score with critics at Venice and Toronto fests (earning a remarkable 93% on the Tomatometer) but it beat out the weekend boxoffice competition with a $23.8 million estimate. That's a...

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