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Brad Pitt

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    Pitt Chased Wired Cover

    Brad Pitt graces the cover of Wired Magazine's August issue, which just arrived in my morning mail. (The mag hits newstands July 21, and will post on Wired.com Thursday night after E.T.'s broadcast break.) He's frowning at wearing a bluetooth headset, and the coverline reads "With advice from Inglou...

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    Soderbergh and Mann: Too Smart for the Room?

    As much as I want to see the Steven Soderbergh/Brad Pitt version of Moneyball, reality needs to return to the movie business. Soderbergh himself occupies a strange nexus within Hollywood. He once told me that he didn't want to direct movies out of the back seat of a limousine. And he is willing to play studio ball or indie ball, as he sees fit. At the same time, like all gifted directors, he wants to push himself, and the art form. But he often loses interest in what movie audiences might want. (UPDATE: On Soderbergh's upcoming Warners' agro-business comedy The Informant!, starring Matt Damon, which is set to debut at September's Toronto Film...

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    Transformers: ROTF Premiere, LaBeouf's Wild Life

    >Here's what I learned on my rounds at the Transformers: ROTF premiere Monday night:

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    Moneyball Update

    It was a bad week for Steven Soderbergh and his $57-million screen version of Michael Lewis's baseball book Moneyball, which Sony shut down as of Friday--with a Monday start-of-production date. (How odd that "producer" Michael DeLuca was on his honeymoon last week and still has not returned. Soderbergh's producer Greg Jacobs was in charge, clearly.) The problem with the Sony spin over the weekend is that it doesn't make sense for Sony chief Amy Pascal to be suddenly discovering that she didn't like a script that had been in circulation--and active pre-production for weeks. Soderbergh was open about his documentary-like approach, and had obtai...

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    Studios Get Tough; Sony Puts Moneyball in Play

    In the overall scheme of things, a $57-million budget is pocket change to a studio, especially a big-spender like Sony. So why would Sony chairman Amy Pascal risk alienating a star like Brad Pitt and a director like Steven Soderbergh by pulling the plug on baseball movie Moneyball hours before it was to start shooting? She's sending a message to Hollywood, loud and clear. She's asserting her power to just say no. Finally, in this economy, the studios are spending less on fewer available slots. That's also what Brad Grey is signalling at Paramount by ditching production execs John Lesher and Brad Weston: he's saying, "There's no room for error...

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    Studios Gets Tough; Sony Puts Moneyball in Play

    In the overall scheme of things, a $57-million budget is pocket change to a studio, especially a big-spender like Sony. So why would Sony chairman Amy Pascal risk alienating a star like Brad Pitt and a director like Steven Soderbergh by pulling the plug on baseball movie Moneyball hours before it was to start shooting? She's sending a message to Hollywood, loud and clear. She's asserting her power to just say no. Finally, in this economy, the studios are spending less on fewer available slots. That's also what Brad Grey is signalling at Paramount by ditching production execs John Lesher and Brad Weston: he's saying, "There's no room for error...

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    Swedish Trilogy on Tarantino/Pitt Wish-List?

    So far, with the exception of Jackie Brown (based on an Elmore Leonard novel) Quentin Tarantino has preferred to direct and write originals. While he has exec-produced a few things and been tempted by the odd Speed Racer or James Bond, he has never rarely succumbed to adaptation temptation.

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    Cannes: Winners and Losers

    Who came out ahead and behind on their Cannes jaunt this year?

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    Tarantino Update

    In my interview with Quentin Tarantino, he admits that he plans to go back to the editing room with Inglourious Basterds this June. He rushed the movie, getting it done in less than a year to make Cannes, and delivered a cinephile's fantasy:

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    Inglourious Basterds: Tarantino Talks

    As Cannes wound down, writer-director Quentin Tarantino sat down for an interview about his long-awaited World War II opus, Inglourious Basterds. We talked about issues of structure, length and purpose:

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