The numbers on “Cars 2” don’t actually matter, except for the stat-hounds regularly following the weekly box office noise (us!). “Cars 2” exists to facilitate Disney’s biggest merchandising cash cow, a multi-billion (annually!) property that needs no further justification. As Pixar seems like a stud...
Read More »Well, today is the first day of summer, more or less the midpoint of the year, and looking back over the the first six months of 2011, it’s definitely been a bit more of a scattershot movie year compared to the arthouse heavy start of 2010. We'll be honest, compiling this list wasn't exactly easy, the year has been uneven so far, but that said, it's certainly not without highlights: Terrence Malick finally delivered his long awaited film, Woody Allen flexed some of the old magic we love him for, and Michael Winterbottom found life and heart from a familiar comic pairing, while Joe Wright moved completely in a new, exciting direction. Over at ...
Read More »Perspective is necessary. $53 million is a whole lotta money. $53 million could buy several houses, it could feed many people, it could save lives. $53 million is also a pretty good opening for a somewhat higher-budgeted film, provided advertising isn’t through the roof and there aren’t a massive am...
Read More »Did The 'Game-Changing' Comedy Really Change Anything?As we've already discussed at length, "Bridesmaids" is not only one of the best films of the year so far, but also a big, giant hit. Already the third-biggest grosser in the Judd Apatow stable, it's had hugely impressive legs, dropping fractionally week-on-week and is heading to at least a $150 million domestic gross, and possibly even more. And, as is usual with hits, most of those involved have gotten big career boosts: Apatow is back on top after a string of under-performers, breakout star Melissa McCarthy has lined up two "Bridesmaids" reunions, one with writer Annie Mumolo, the other ...
Read More »Plus Helmer Talks Upcoming Jon Hamm/Melissa McCarthy ComedyAlmost everyone involved in "Bridesmaids" has gotten a major boost from its huge success (although, note we said almost everyone: more on this later on), and none more deservingly though than its director, Paul Feig. Since co-creating class...
Read More »Call this one a victory for Paramount, and a big one at that. “Super 8,” which opened to $37 million, was advertised with only the slightest of peekaboos, an ad campaign that played less coy and more stubbornly mysterious. While the film was pitched on the name of Steven Spielberg, the filmmaker has...
Read More »As the only major opening of the week, it was not a surprise to see “X-Men: First Class” reign with a $56 million total. For those keeping track at home (why are you doing this?), this is the lowest-scoring opening weekend for any of the four films in the “X-Men” series save for the eleven-year old ...
Read More »In the future, sequels to all our popular films will not require writers, directors, or even new talent. Sure, they might re-hire some of the people responsible for the first film, but by and large, the leading users of Xerox technology will be Hollywood executives. At least, that’s if the mammoth opening for “The Hangover Part II” is any indication, as the film took advantage of the holiday weekend to score an expected $137 million over this five day period. Critics seemed to do everything short of design spreadsheets to illustrate just how Todd Phillips and company were replicating the exact story of the first film (arguably, the marketing ...
Read More »After a tough few years, 2011 has turned out pretty well for Universal so far: "Fast Five" is currently the top-grosser of the year, fairly impressive considering its the fifth entry in a franchise, with "Hop" not far behind, and even "Paul" and "The Adjustment Bureau" did better than expectations. ...
Read More »This weekend, Disney pooled their resources with Jerry Bruckheimer and produced an insta-blockbuster. Apathy is the name of the game with “Pirates Of The Caribbean: On Stranger Tides,” which scored the biggest bow of 2011 despite being a piece of shit that grossed lower in its opening frame than its...
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