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Cannes Film Festival

  • SydneysBuzz
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    "From Addis To Cannes" An Interview With Ethiopian Filmmakers

    "We are 90% the same in the world. The 10% difference is based on where we live. The culture, political issues, or religions can separate us. When we make a film or write a script, whatever the language, we have to say something for everyone... that's why I'm here at Cannes, to share my story and se...

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    ISA of the Day: Andreas Rothbauer of Picture Tree Films

    Andreas Rothbauer shares Picture Tree's success, his experience, and his take on the transition and evolution of functionality in the industry. Picture Tree Films includes titles such as Metal Head and Fack Ju Goehte (Suck Me Shakespeer)

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  • Thompson on Hollywood
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    Drafthouse Films Picks Up Near-Silent Cannes Critics' Week Winner 'The Tribe'

    Intrepid distribution arm Drafthouse Films has acquired North American rights to director Miroslav Slaboshpytskiy's "The Tribe," winner of the Nespresso Grand Prize, the France 4 Visionary Award and a Gan Foundation grant at the 2014 Cannes International Critics' Week.

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    A gut feeling pushed me to go to the Cannes Film Festival, and this is what happened...

    There's something to be said about taking a leap into the abyss. This is what is was for me to leave my home in LA and embark on another worldly adventure. It was a risk, but I had to take it, as I had a strong feeling that I should go to Cannes since last fall.

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  • Thompson on Hollywood
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    How Indie Producer Jon Kilik Works with Mavericks, from Spike Lee and Gary Ross to Bennett Miller

    Independent film producer Jon Kilik is having a busy year, with the upcoming "The Hunger Games: Mockingjay Part I," Tommy Lee Jones' "The Homesman," Bennett Miller's "Foxcatcher" and Spike Lee's "Mike Tyson: Undisputed Truth." He's also celebrating the 25th anniversary of Spike Lee's "Do the Right T...

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  • Indiewire
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    Emmanuelle Seigner On Roman Polanski's 'Venus in Fur': 'I Have to Be Much Better Than Another Actress Because I'm His Wife.'

    Paris-born Emmanuelle Seigner, who started out as a model at 14, has already proved herself as a talented performer in films like "La Vie en Rose" and "The Diving Bell and the Butterfly." Still, her lead turn in "Venus in Fur," a tense two-hander adapted from David Ives Tony-nominated play by Seigne...

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    UNESCO Fellini Award Went to United Nations Association Film Festival (UNAFF) Founder and Festival Director

    The International Council for Film, Television and Audiovisual Communication (ICFT) recently presented at the United Nations Educational, Scientific and Cultural Organization (UNESCO) headquarters in Paris the UNESCO Fellini Medal to Jasmina Bojic, Founder and Executive Director of the United Nation...

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  • Thompson on Hollywood
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    Why David Michôd Steered Clear of Hollywood to Shoot 'The Rover' with Pearce and Pattinson (EXCLUSIVE VIDEO)

    After Oscar-nominated "Animal Kingdom" hit Hollywood, Australian director David Michod was the talk of the town, doing rounds of meetings and reading stacks of scripts. One day he told his agents: "I want to stop reading, I'm not getting any work done." That film, which debuted at Cannes as a midnig...

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    Watch: Jean-Luc Godard Gives a 45-Minute Interview About His Mind-Boggling 'Goodbye to Language 3D'

    Last month Indiewire was fortunate enough to get the opportunity to watch French New Wave master Jean-Luc Godard's "Goodbye to Language 3D" at Cannes. Now, Godard has sat down with Canon Europe to discuss the making of his latest picture, which was shot in 3D.

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    'Manuscripts Don't Burn' is an Outstandingly Unflinching Cinematic Statement Against a Regime

    Subtly and keeping his plea cinematic and authentic, Rasoulof’s "Manuscripts" is a clandestine art work that bluntly and fearlessly looks at his censors in the eye making it clear that their insidious and invasive tactics will never be enough to silence his voice.

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