Ernest Hemingway is the kind of grandiose figure that it seems it would be difficult to contain within the framework of a feature film, and the decision to pair his life with that of his ex-wife Martha Gellhorn only adds to the task at hand. But with the leisure of a two-and-a-half hour running time...
Read More »For many critics "Mud," Jeff Nichols' follow-up to well-reviewed "Take Shelter," which won the Critics' Week Cannes sidebar last year, was one of the most highly anticipated films this year. It is also one of the few films, along with Lee Daniels' "Paperboy," that is up for grabs by American distri...
Read More »"Mud," American writer/director Jeff Nichols' underwhelming follow-up to the masterfully visceral "Take Shelter," is a shallow and contrived coming of age story. While both 'Shelter' and "Shotgun Stories," Nichols' promising debut feature, explore their respective characters' motives and emotions, "...
Read More »The Doc Corner, a new initiative of Marche Directeur Delegue, Jerome Paillard, is designed to help Marche participants to find distribution, sales and festival play for their feature length (70 minutes plus) documentary new and completed films.
Read More »My computer was running out of juice after hours in the Cannes Palais press room, and my headset was broken. But somehow, Kris Tapley, Guy Lodge and I reconvened for our first Oscar Talk podcast since Oscar season.
Read More »For a Cronenberg film, "Cosmopolis" is light on violence and body horror, but the director’s obsession with evolving ideas and tainted perspectives remains on full display.
Read More »It has been one helluva week for Pablo Larrain. Easily one of the most buzzed-about movies on the Croisette -- and it wasn't even in the proper festival lineup, playing the Directors' Fortnight instead -- the biggest question being asked among those who saw and fell in love with "No" was how the Can...
Read More »Legacy is the thing in "11/25: The Day He Chose His Own Fate," Japanese guerilla filmmaker Koji Wakamatsu’s remarkable drama about the death of militant poet/novelist Yukio Mishima.
Read More »How is David Cronenberg's latest sci-fi funkfest faring with critics at Cannes?
Read More »While films from the Cannes Directors' Fortnight are not given official festival awards, they are honored by organizations. This year, Pablo Larrain's "No," starring Gael Garcia Bernal, a surprise stand-out at Cannes...
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