When discussing Carlos Reygadas’ “Post Tenebras Lux,” comparisons to “The Tree of Life” come easily, though Reygadas’s film is as far from a paean to God as it gets. In fact, while Malick’s movie has a sweeping, hands-on perspective on enlightenment and God, Reygadas’ (“Silent Light,” “Battle in Hea...
Read More »While many still know Nick Cave best for his work as a musician in groups like The Birthday Party, and especially for albums such as Let Love In and Tender Prey that he produced along with his band The Bad Seeds, Cave has become increasingly more visible in the world of cinema ever since he first st...
Read More »Leos Carax's first movie in 13 years is the first surprise hit of the festival.
Read More »Robert Rodriguez was on the roof of the Cannes JW Marriott the other day talking about the two sequels next on his plate: 'Sin City 2: A Dame To Kill For' and 'Machete Kills,' which he’ll shoot first, starting in the next few weeks.
Read More »Walter Salles and Jose Rivera love the characters and world of "On the Road" too much to know how to properly represent them.
Read More »Red flags immediately go up whenever a filmmaker embarks on adapting a beloved classic. Walter Salles' long-gestating big screen treatment of "On the Road" provides the latest example: Years in development, the nearly-two-and-a-half hour treatment of Jack Kerouac's seminal novel of...
Read More »Few filmmakers have a more distinctive take on the world than Wes Anderson. Many of his contemporaries -- David O Russell, Darren Aronofsky, Spike Jonze et al -- are extraordinary filmmakers, but it's only with Anderson that you can look at a single frame -- any frame -- and instantly know that it's...
Read More »"On the Road" is a two hour and 17-minute recreation of Jack Kerouac's seminal 1957 novel. It's a serious thoughtful gorgeously mounted period art film and American travelogue, carefully researched and painstakingly crafted. Walter Salles and writer Jose Rivera, the team behind &qu...
Read More »Where does one begin with Leos Carax’s insane "Holy Motors"? Maybe its incredible central performance(s) by Denis Lavant, who literally transforms into a different character in nearly every other scene, each one stranger than the next? Or perhaps its stark raving mad narrative that bends so far into...
Read More »