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Cannes Film Festival

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    Cannes: Tilda Swinton Suggests ‘Only Lovers Left Alive’ Could Be A Documentary For The Outsiders Of The World; Jim Jarmusch Won’t Analyze This

    The 66th Annual Cannes Film Festival is quickly coming to a close. In fact the Un Certain Regard winners were just announced a short while ago (you can catch up with them right here). This year’s line-up, unlike years past, positioned a lot of heavyweights near the end of the festival, filmmakers li...

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    Cannes Un Certain Regard Awards: 'Missing Picture,' 'Omar,' 'Stranger by the Lake,' 'Fruitvale Station'

    The Cannes sidebar Un Certain Regard 2013 presented in competition 17 films from 15 different countries, six of which were first films. Sofia Coppola's "The Bling Ring" opened the program out of competition. The jury led by Danish director Thomas Vinterberg ("The Hunt") included actresses Zhang Ziyi...

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    'The Missing Picture' Tops Cannes' Un Certain Regard Prizes

    The Un Certain Regard program of the 2013 Cannes Film Festival announced its awards this evening, with French-Cambodian director Rithy Panh's "The Missing Picture" taking the top prize.

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    Cannes Review: Emmanuelle Seigner A Raucous Revelation In Polanski’s Otherwise Stagy, Pointless ‘Venus In Fur’

    Ever had the feeling, when the credits roll and the lights go up, that you’ve been watching a completely different film to everyone else? Welcome to our morning, which was spent at a screening of the last Cannes 2013 competition film, Roman Polanski’s adaptation of the David Ives broadway play “Venu...

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    'Venus in Fur' Director Roman Polanski at Cannes: 'I've lived long enough to know I can direct.'

    Capping off this year's Cannes competition, Roman Polanski's "Venus In Fur" brought sex, laughs, applause and a handful of enthusiastic bravos to the last weekend of the festival.

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    CANNES 2013: James Gray's THE IMMIGRANT

    Few films have captured the level of complex pragmatism it must take for a desperate person to survive in a completely new place with no support or ideological context. James Gray’s arresting period-piece melodrama "The Immigrant" achieves this feat.

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    Jim Jarmusch's Tilda Swinton Vampire Pic 'Only Lovers Left Alive' Heads From Cannes To Sony Classics

    A day before its official premiere in Cannes, Jim Jarmusch's "Only Lovers Left Alive" has been picked up by Sony Pictures Classics for U.S. Release. Starring Tilda Swinton, Tom Hiddleston, Mia Wasikowska, John Hurt, Anton Yelchin and Jeffrey Wright, the film follows a love story between two vampires...

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    Cannes Review: Droll, Louche & Languidly Playful 'Only Lovers Left Alive' Is Jarmusch At His Most Enjoyable & Accessible

    From the very first opening titles, written in a Germanic font that immediately conjures everything from “Triumph of the Will” to images of big-busted ladies screaming in campy close-up in 1970s cheapie horrors (it may be the only time in Cannes that a film got a big laugh for a typeface) it’s perfe...

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    Cannes Review: J.C. Chandor Puts Robert Redford Through Watery Hell In Bruising, Formally Rigorous 'All Is Lost'

    It almost feels like JC Chandor is showing off. In what is only his second feature film, after the chalk-and-cheese financial collapse movie “Margin Call," he sets himself a kind of exercise in filmmaking rigor, in the bare-bones, one-man survival-at-sea story “All Is Lost” and delivers. From the st...

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    Discussion of Women About Women

    At Cannes a short week ago, the European Women's AudioVisual Network, held an informal and intimate coffee klatch at the Scandinavian Pavilion. This was a followup to the larger more formal meeting in Berlin sponsored by Dortmund Women's Film Festival and Indiewire blogger Melissa Silverstein (Women...

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