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Cannes Film Festival

  • The Playlist
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    Cannes Review: J.C. Chandor Puts Robert Redford Through Watery Hell In Bruising, Formally Rigorous 'All Is Lost'

    It almost feels like JC Chandor is showing off. In what is only his second feature film, after the chalk-and-cheese financial collapse movie “Margin Call," he sets himself a kind of exercise in filmmaking rigor, in the bare-bones, one-man survival-at-sea story “All Is Lost” and delivers. From the st...

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    Discussion of Women About Women

    At Cannes a short week ago, the European Women's AudioVisual Network, held an informal and intimate coffee klatch at the Scandinavian Pavilion. This was a followup to the larger more formal meeting in Berlin sponsored by Dortmund Women's Film Festival and Indiewire blogger Melissa Silverstein (Women...

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  • Thompson on Hollywood
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    Cannes Winner 'Blue Is the Warmest Color' Review Roundup: Epic, Explosively Sexy Lesbian Romance

    UPDATE: "Blue Is the Warmest Color" has won the Palme d'Or. Review roundup below.

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    Cannes Review and Roundup: James Gray's 'The Immigrant' vs. 'Nebraska'

    A pair of films addressing very different aspects of the American experience, and set 92 years apart, have screened in Competition over the last couple of days: Alexander Payne’s "Nebraska" and James Gray’s "The Immigrant." Sad to say, I had expectations for both but didn’t engage with either, altho...

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    Cannes Deal UPDATE: Sony Pictures Classics Gobbles Up 'The Lunch Box,' Critics Week Audience Winner

    Sony Pictures Classics has picked up all North American distribution rights to Ritesh Batra's "The Lunchbox," starring Irrfhan Khan ("The Life of Pi"). The film centers on a mistaken delivery in Mumbai's famously efficient lunchbox delivery system, and the budding relationship between a young housew...

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    Cannes: Winners Announced for Critics Week, Cinefondation and Europa Cinemas Label Prize

    A number of awards are being announced out of Cannes. "Salvo," a Mafia romance co-directed by Fabio Grassadonia and Antonio Piazza, has nabbed the Critics Week Grand Prize; UK director Clio Barnard's "The Selfish Giant," an update of the Oscar Wilde short story focusing on the friendship between tw...

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  • The Playlist
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    5 Things You'll Learn From 'Jodorowsky's Dune' From Nicolas Winding Refn's Thoughts, The Original Cast & More

    The fact that Alejandro Jodorowsky -- coming off the double whammy of 1970s cult favorite mind benders "El Topo" and "The Holy Mountain" -- even got near bringing Frank Hebert's "Dune" to the big screen perhaps speaks to the wackiness of the 1970s movie world. That it actually got as far as it did, ...

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  • Indiewire
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    'The Immigrant' Director James Gray Says He Is 'Unabashedly Pro Immigration' at Cannes

    It was no surprise really that American filmmaker James Gray would be asked for his opinions on immigration policy during the Cannes press conference for his latest work "The Immigrant," simply given that title. Still, his response was a great one that shed a great deal of light on the defining reas...

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    Cannes: New Clip From ‘The Immigrant’; James Gray Talks Title Changes, Working With Joaquin Phoenix, Marion Cotillard & More

    James Gray’s long-awaited period drama, “The Immigrant,” finally screened in Cannes early this morning. Starring the excellent cast of Joaquin Phoenix, Marion Cotillard and Jeremy Renner, “The Immigrant” centers on a conniving pimp (Phoenix) who manipulates a destitute Polish immigrant (Cotillard) i...

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  • Indiewire
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    Cannes: Marion Cotillard On Learning Polish to Play 'The Immigrant' for James Gray (Who Reveals He Was Unfamiliar With the Actress)

    After a few title changes and long wait for James Gray fans (his last feature "Two Lovers" came out five years ago), the helmer's first period project "The Immigrant" finally premiered today in Cannes with many clamoring to know if it would deliver the requisite goods to come out of the festival as ...

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