When a movie turns into the biggest film that isn’t a sequel or a remake in Earth’s history, you can bet that Hollywood is going to figure out what made that film such a billion dollar baby. That movie is Gary Ross’s "The Hunger Games," and the most easily utilized element of that film is something...
Read More »This popular video, first featured on Press Play, explores how chaos reigns in the techniques used to make contemporary action films.
Read More »I am familiar with your work as a cinematographer but I was unaware of your blog at the American Society of Cinematographers (ASC) website which covers a wide variety of cinephiliac topics. How did your blog come about and how do you choose topics to write about?
Read More »Editor’s Note: Press Play is proud to debut part three in Matthias Stork’s Chaos Cinema, the latest installment in an ongoing consideration of a phenomenon that Stork defined in two video essays that ran on this site in August, 2011. His first two chapters touched off a firestorm of debate that’s st...
Read More »Matthias Stork is more likely to be found hunched over a research desk at the Academy’s Margaret Herrick Library than in the darker recesses of a multiplex cinema playing the latest Hollywood visual effects laden action flick. He is, after all, a graduate student in the Department of Film and Televi...
Read More »EDITOR'S NOTE: The following interview with Matthias Stork is being republished with permission from Empty Kingdom.
Read More »EDITOR'S NOTE: This is yet another view concerning the Chaos Cinema debate. This time it's from writer-critic Steven Boone, who published this piece on his blog Big Media Vandalism. He warns the reader if you haven't watched both chapters of Matthias Stork's video essay ...
Read More »EDITOR'S NOTE: Press Play is posting a column written for Salon by publisher Matt Zoller Seitz, about Matthias Stork's video essay "Chaos Cinema."
Read More »Chaos Cinema Part 1 from Matthias Stork on Vimeo.
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