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Cinematography

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    How 'Inherent Vice' & 'Nightcrawler' DP Robert Elswit Captures the Pulse of LA

    Cinematographer Robert Elswit talks the making of 'Nightcrawler' and 'Inherent Vice,' two of the year's buzziest films, and how he helped directors Dan Gilroy and P.T. Anderson realize their particular visions of Los Angeles.

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    'The Homesman' DP Rodrigo Prieto on Working with Tommy Lee Jones and Reinventing The Western

    Here's how Academy Award-nominated cinematographer Rodrigo Prieto approached Tommy Lee Jones' "The Homesman."

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    Joel Coen, Martin Scorsese, Darren Aronofsky and More on Digital vs. Film

    The film vs. digital debate continues, even though advocates for both sides acknowledge upsides and downsides to both. Here's what some of your favorite filmmakers have to say on the subject.

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    How Cinematographer Giles Nuttgens Shot the Sundance Hits 'God Help the Girl' and 'Young Ones'

    The award-winning cinematographer talks about his two latest very different projects and his thoughts on working on digital and film.

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    'The Judge' DP Janusz Kaminski Finds Beauty in a Bygone America

    "I make movies where I tell stories through light and shadows with the camera and I'm not very subtle about it. It's homage to movies from a different era." -Janusz Kaminski

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    How 'Mr. Turner' Cinematographer Dick Pope Made the Film Look Like a J.M.W. Turner Painting

    This week at the New York Film Festival, Mike Leigh, Timothy Spall and DP Dick Pope sat down for a Q&A to discuss "Mr. Turner" and one subject on everyone's mind was the absolute gorgeousness of the cinematography.

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    'Gone Girl' DP Jeff Cronenweth on Digital Vs. Film and Working with David Fincher

    "Gone Girl" marks Academy Award-nominated cinematographer Jeff Cronenweth's fourth collaboration with David Fincher. Indiewire spoke to the lauded DP about his work on the film, which hits theaters today after premiering at the New York Film Festival.

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    Attention, Filmmakers: Here's Why Camera Choice Matters

    In this guest post, filmmaker Noam Kroll explains why camera choice can be the most important factor in achieving a beautiful image.

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