The Berlin International Film Festival (February 7-17) has announced the titles in its expanded retrospective lineup, Berlinale Classics. The five films on the slate are all restorations, and include Elia Kazan's "On the Waterfront," Yasujiro Ozu's "Tokyo Story" and Alfred Hitchcock's 3-D "Dial M fo...
Read More »Director Christopher Nolan has selected his Top Ten films for Criterion. His choices are varied, and the themes unsurprising: morality, mortality, life-or-death decisions, larger-than-life situations, and characters pushed to their total limits. The films he selected -- from Erich von Stroheim in ...
Read More »Orson Welles Week! begins at Trailers from Hell with director and TFH creator Joe Dante introducing thriller noir "The Stranger," starring Welles as a Nazi posing as a New England professor, and Edward G. Robinson as the shrewd War Crimes Commission investigator tailing him.
Read More »Octogenarian French acting legends Jean-Louis Trintignant and Emmanuelle Riva give stunning, energetic performances as a married couple facing the bitter end in Michael Haneke's critically lauded, multi-awarded "Amour." Below, a look at some of the classic films that put Trintignant and Riva on the ...
Read More »Watch the great director Andrei Tarkovsky ("Solaris," "Stalker," "Nostalghia," "The Mirror") give advice to young filmmakers in this clip below from his 1983 documentary "Voyage in Time."
Read More »Hollywood is always looking for new ways and new places to sell its movies. In 1982, Barry Diller, one of the smartest men ever to run a Hollywood studio, told me that the decisions he and the other studio heads were then making about new technologies – basic cable, pay-cable, satellite television....
Read More »Check out Roman Polanski's student short film "Murder," made in 1957. Silent, black-and-white and only a minute in duration, the film shows what the title promises with queasy bluntness...
Read More »Go Into the Story, the screenwriting blog of the Blacklist, features a fascinating script-to-screen installment today on Billy Wilder's 1944 film noir classic "Double Indemnity." The blog looks at a key scene from the film, comparing the screenplay pages to the filmed finished product.
Read More »In the epilogue to “The Big Screen,” his one-volume history of the movies, David Thomson warns the reader: “You should be ready for the loss of theaters and video stores….Be prepared for the word ‘movie’ being replaced by ‘bits’ or ‘bites’ or ‘viddies’ (a term Anthony Burgess used in 'A Clockwork O...
Read More »You'd think the great auteurs would be safe from remakes -- it's hard to imagine someone taking on a Quentin Tarantino, Paul Thomas Anderson, Terrence Malick or David Lynch film, for example. But that hasn't stopped Hollywood from remaking everything from "The Haunting" to &quo...
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