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    Kasdan Talks Return to Directing with Darling Companion, Wiest, Duplass, Shepard Join Keaton, Kline

    No director better represents the sorry state of the current moviemaking scene than Lawrence Kasdan. For most of his career, the studios supplied him with steady work as a screenwriter (Raiders of the Lost Ark, Star Wars: Episode V - The Empire Strikes Back, The Bodyguard) and writer-director (The B...

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    Love & Other Drugs and Black Swan To Bookend AFI Fest

    The American Film Institute's 2010 Festival will open November 4 in Los Angeles with the world premiere of Edward Zwick's Love & Other Drugs starring Anne Hathaway and Jake Gyllenhaal. Closing the fest on November 11 is Darren Aronofsky's Black Swan, starring Natalie Portman, Vincent Cassel and Mila...

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    Bening vs. Moore for First Oscar Win, Weisz Gets Promiscuous, Guardian's Genre Questions

    - Not surprisingly, Annette Bening and Julianne Moore will both be pushed toward a Best Actress Oscar by The Kids Are All Right distributor Focus Features. If they are indeed both nominated, notes Deadline EW, The Kids Are All Right would be the sixth movie to have double nominees in this category:...

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    Contraband Stars Beckinsale, Wasikowska vs. Phoenix, Panettiere as Amanda Knox

    - Working Title is remaking 2008 thriller Reykjavik-Rotterdam (Iceland's 2009 Oscar submission) for American audiences. Kate Beckinsale will reportedly star opposite Mark Wahlberg in the retitled Contraband. He plays an alcohol smuggler-turned-security guard being lured back into below-ground busine...

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    TIFF Diary: Remembering Chabrol, Potiche, I Saw The Devil, Monsters, Brighton Rock

    In her ongoing Toronto journal, day five, Meredith Brody starts off remembering Claude Chabrol:So I realized trudging home from the subway last night that the reason I hadn’t remembered that the Toronto subway doesn’t begin running until 9 a.m. on Sunday was that I never had been obliged to use the ...

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    TIFF: IFC Picks Up Super-Hero Spoof Super, Starring Rainn Wilson

    IFC has acquired U.S. rights to writer-director James Gunn's super-hero spoof Super, starring Rainn Wilson, Ellen Page, Liv Tyler and Kevin Bacon. I saw footage from this at Comic-Con; it looked like a comedic version of Kick-Ass (which topped out at $48 million in wide release). But then IFC has a ...

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    Casting News: Hendricks in Drive, Renner and Rapace Witch Hunters, Seydoux vs. Bruni in Paris

    - Drive just got juicier with Mad Men fixture Christina Hendricks set to join Ryan Gosling, Carey Mulligan, Bryan Cranston, Oscar Isaacs and Albert Brooks in the Nicolas Winding Refn film, which shifts into gear at the end of this month. Hendrick's role is unidentified, though The Playlist suggests,...

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    Telluride Report: Frears' Tamara Drewe, Morris's Tabloid

    Meredith Brody reports from the ground in Telluride on Stephen Frears' Tamara Drewe and Errol Morris's doc Tabloid.

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    I'm Still Here Reviews: Fascinating, Hilarious, Genuinely Hated, Nucleus of Truth

    It shouldn't need an introduction by now (Variety calls it the "most publicly prominent piece of performance art ever"), but The Playlist provides a useful Idiot's Guide To I'm Still Here (which premiered at Venice and opens Friday) in the intro the their own review: "The 'is this a joke' aspect of the entire affair was perhaps best typified on the much-watched bizarro appearance on the Late Show With David Letterman where the celebrity mumbled meekly throughout and the talk show host mocked Phoenix for barely being mentally present. I'm Still Here is a document of that lost-in-the-wilderness period directed by Phoenix's brother-in-law Casey ...

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    Fassbender/McQueen Reunite, Studio Critique, Love And Other Drugs, Mulligan Talks Never Let Me Go

    - The Guardian calls Hollywood's summer box office victory - approximately a 2.4% lead on 2009 - a hollow one; "the abiding memory of summer 2010 will be of a decline in standards" (the standards of storytelling, not technical effects). The arguments behind this hollow victory include the decline in actual people in theatre seats (lowest since 1997) and the rise in revenue (thanks, 3-D), the root of which conflicts with studios' growing challenge to stay relevant amongst growing sources of alternative entertainment (if they're only making movies for profit, they're undermining the argument for preserving the relevance of film). The Guardian a...

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