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Critics

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    Introducing New At the Movies Team

    After they got the sack, the young and callow two Bens vanished from At the Movies, which is now gearing up for a Labor Day Weekend reboot. Just watching this preview of the Chicago Tribune's Michael Phillips and the New York Times' A.O. Scott makes me eager to get back into the At the Movies habit,...

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    Critics Faves: Arty or Artful?

    In the fall season, as hundreds of movies are launched and weighed at film festivals, critics come into their own. They don't hold much sway with audiences in the summer. But in the fall, suddenly, what they think does matter.

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    Best British Films Poll

    The London Observer has published its best British films poll 1984-2009, from "more than 60 experts - directors, screenwriters, actors, critics - and a few smart outsiders." They asked me and include my list, too, on the jump. I picked 30 films from the list for our own poll. Write in any others you...

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    Internet: Critics' Friend, Young or Old

    The latest film critics pile-on this week started with the suggestion from The New York Observer's Christopher Rosen that the NYT's A.O. Scott and the Chicago Sun-Times' Roger Ebert were attacking movie audiences for being so dumb. Then Drew McWeeny at Hitfix responded that older critics were losing...

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    Must-Own Film Books

    We all have lists of must-own film books. Mine goes like this:

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    Weekend Catch-Up: Holiday B.O., Harry Potter Review, Brennan, Klein R.I.P., Andreessen Fun

    After a lazy holiday weekend, I herewith share with you my gleanings of what's been going on.

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    New Film Critics Aggregator Challenges Rotten Tomatoes

    Never rest on your laurels. When something is working, something new and improved comes along. While many of my pals prefer critics' aggregator Metacritic, which is leaner, more elegant, pickier and more pure than the mighty but messier, more inclusive and more crowded Rotten Tomatoes, there's a new...

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    Cannes: Critics' Week and Director's Fortnight

    It turns out Francis Ford Coppola has agreed to show his Argentinian drama Tetro in Cannes after all, as the opener of Director's Fortnight (or Quinzaine). That's a good compromise; Coppola had turned down Thierry Fremaux's offer to place it out-of-competition in the official selection.

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    Scorsese Rides the Cannes Whirlwind

    Martin Scorsese rode into Cannes on Friday. He turned up at the American Pavilion to dedicate the Roger Ebert Conference Center. "Welcome back," fest delegate general Thierry Fremaux said to Ebert, who had been unable to attend for several years as he battled throat cancer. While he used a mechanica...

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