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Criticwire Classics

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    Criticwire Classic of the Week: Elia Kazan's 'On the Waterfront'

    A mixture of justice and self-justification helps make this week's Criticwire Classic one of the knottiest, most powerful Best Picture-winners of all time.

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    Criticwire Classic of the Week: Powell and Pressburger's 'The Red Shoes'

    Technicolor was rarely as beautiful as it is in this week's Criticwire Classic.

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    Criticwire Classic of the Week: Joel and Ethan Coens' 'Miller's Crossing'

    This week's Criticwire Classic is talkin' about eh-ticks.

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    Criticwire Classic of the Week: Howard Hawks' 'Bringing Up Baby'

    Howard Hawks had an almost perfect sense of pace, as this screwball classic demonstrates.

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    Criticwire Classic of the Week: Preston Sturges' 'The Lady Eve'

    With "The Lady Eve," Preston Sturges made cinema's funniest, sexiest, most romantic con artist film.

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    Criticwire Classic of the Week: Brian De Palma's 'Blow Out'

    Brian De Palma and John Travolta made a masterful thriller about the power and limits of the movies and voyeurism with "Blow Out."

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    Criticwire Classic of the Week: F.W. Murnau's 'Nosferatu, A Symphony of Horror'

    F.W. Murnau jump-started horror cinema and the vampire movie with this German Expressionist classic.

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    Criticwire Classic of the Week: Charlie Chaplin's 'The Gold Rush'

    Hate the snow? Could be worse. Could be stuck in a cabin with a guy trying to eat you.

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    Criticwire Classic of the Week: Alfred Hitchcock's 'Rear Window'

    This week's pick is the Master of Suspense's ultimate portrayal of voyeurism.

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    Criticwire Classic of the Week: Jim Jarmusch's 'Dead Man'

    Remember when Johnny Depp wasn't embarrassing?

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