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Criticwire Classics

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    Criticwire Classic of the Week: Alfred Hitchcock's 'Rear Window'

    This week's pick is the Master of Suspense's ultimate portrayal of voyeurism.

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    Criticwire Classic of the Week: Jim Jarmusch's 'Dead Man'

    Remember when Johnny Depp wasn't embarrassing?

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    Criticwire Classic of the Week: Michael Mann's 'Thief'

    Michael Mann made a superb debut with the crackerjack thriller "Thief."

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    Criticwire Classic of the Week: Stanley Kubrick's 'The Shining'

    It's cold out there, folks. Maybe we can all keep warm at the Overlook Hotel forever...and ever...and ever.

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    Criticwire Classic of the Week: Leo McCarey's 'Duck Soup'

    "Hail! Hail! Freedonia" and political farce in this week's Criticwire Classic.

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    Criticwire Classic of the Week: Robert Altman's 'McCabe and Mrs. Miller'

    Winter is a character as well as a force in Robert Altman's melancholy masterpiece.

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    Criticwire Classic of the Week: John Frankenheimer's 'Seconds'

    Rock Hudson's private life brings metatexual resonance to this John Frankenheimer classic.

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    Criticwire Classic of the Week: Martin Scorsese's 'After Hours'

    The death of a dream project brought about one of Martin Scorsese's most stylistically adventurous movies.

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    Criticwire Classic of the Week: Bob Fosse's 'Cabaret'

    Rob Marshall copied Bob Fosse, but there's no substitute for the real thing.

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    Criticwire Classic of the Week: Steven Spielberg's 'Close Encounters of the Third Kind'

    Before Christopher Nolan, Steven Spielberg saw space as a subject of wonder and hope.

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