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Digital Future

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    CinemaCon Update: James Cameron, George Lucas, Jeff Katzenberg Talk Cinema's Digital Future

    Stunts, legendary studio executives and name auteurs with an eye on the digital future were de rigueur during Wednesday’s CinemaCon. Anthony D'Alessandro digests the latest news from Las Vegas. In a CinemaCon 3-D powwow with directors George Lucas, James Cameron and DreamWorks Animation CEO Jeffrey Katzenberg, the trio continued to tub-thump the visual format, while warning attendees that 3-D shouldn’t be used frivolously by the studios to pad grosses. Cameron soapboxed the same philosophy about wasteful 3-D pics that he has been vocalizing since last summer, when he attacked Weinstein Co.’s Piranha 3D. The Wrap reported Cameron's lament: “...

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    Animation Update: Sony Pictures Animation's Muncle Trogg; Animation $20 Million P & A Equity Fund

    Marking Michelle Raimo-Kouyate’s first deal since becoming president of production for Sony Pictures Animation, the division has acquired motion picture rights to Janet Foxley's fairy tale novel Muncle Trogg, to be developed as an animated feature.
“Strong characters, relatable themes, a unique worl...

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    EXCLUSIVE: Immersive Thrill Ride Human Flight 3D Opens September 30 Nationwide

    The film industry's latest technological innovation--portable 3-D cameras-- will take moviegoers on an immersive aerial thrill ride, promises Northern Lights Entertainment chief Carl Samson, who will open Human Flight 3D nationally on September 30, followed by a worldwide release. Northern Lights wi...

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    James Cameron and Vince Pace to Deliver NAB Keynote

    James Cameron and his Titanic and Avatar camera inventor Vince Pace will deliver the 2011 NAB shows keynote address on April 11. The NAB show is the biggest media show for filmed entertainment and its development across various platforms. Approximately 90,000 people come to Las Vegas for the event e...

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    Taxi Driver, New York

    Starting this Friday, New York City’s Film Forum will screen a newly restored 35mm print of Taxi Driver. Simon Abrams reports on the restoration and takes a look at Martin Scorsese's New York, then and now. Martin Scorsese’s seminal film was restored by Sony Pictures and The Film Foundation, an organization dedicated to film preservation that Scorsese is actively involved in. Now 35 years old, Taxi Driver looks more and more like an expressive time capsule of pre-Giuiliani Manhattan. The most salient sign of the changing times is the fact that the Lyric Theater, the porn house where Travis Bickle (Robert DeNiro) takes his date to see Swedish ...

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    Fandor Streams Indie Video: Sundance Meets Netflix

    Finally, the promise of streaming movies has become a practical reality, from Amazon to Netflix. But as multiple indie sites come and go (from Jaman and Mubi to Spout), on the eve of SXSW, a new indie site launches Wednesday, Fandor, that promises a better subscription indie streaming service via it...

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    Oscar Watch: Cinematographer Jeff Cronenweth Talks The Social Network

    The Oscar-nominated cinematography on The Social Network is trickier than it looks. David Fincher and his long-time director of photography, Jeff Cronenweth worked within various constraints. Shot with the latest digital RED One camera, the film was low-budget for a studio film ($50 million), was ai...

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    NYT Critics Want to Interact--from a Safe Distance

    It's all very well for newspapers to try and interact with their readers online. What strikes me about the NYTimes' effort to engage movie fans with film critics A.O. Scott and Manohla Dargis is how they are choosing to respond to their readers.

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    New York Film Critics Circle Goes Digital, Partners with Movie Review Query Engine

    As film critics seek to adapt to digital journalism, the venerable New York Film Critics Circle, founded in 1935, has partnered with 16-year-old review database Movie Review Query Engine (MRQE ("marquee") to relaunch their NYFCC website to lure moviegoers looking for guidance on what to see each wee...

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