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Documentaries

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    Women In Film's Film Finishing Fund in its 26th Year: Now Accepting Applications

    The Women in Film Foundation's Film Finishing Fund is accepting applications now through April 29 for cash grants and production services for films by, for and about women. Founded in 1985, the WIFF FFF has given more than $2 million in cash and in-kind services to some 170 films. For the third year...

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    Oscars 2011: Red Carpet Videos: Directors Hooper, Ferguson, Fox, Junger, Granik, Walker

    Best Picture & Director Winner: Tom Hooper, The King's Speech

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    Live at Oscars: Strangers No More Wins Doc Short, God of Love Wins Live Short, Inside Job Wins

    "Three years after a horrific financial crisis, not a single financial executive has gone to jail and that is wrong," says Charles Ferguson as he accepts the Oscar for Inside Job. The front-runner won over upstart Exit Through the Gift Shop, depriving Oscar watchers of seeing who would accept the award for Banksy. This is a case of gravitas winning out over a more whimsical film about art. Gift Shop likely benefited from the Brit street artist's graffiti postings in the weeks before the Oscars, which were well-covered by the media, but probably was hurt by Banksy's interview proxy, the wacky subject of his movie, Mr. Brainwash. If anything th...

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    Mark Your Ballots: Anne Thompson Predicts Oscar Winners

    The Oscar polls closed on Tuesday at 5 PM. No more campaigning, lobbying or pitches for attention will make a difference now. It's all in the hands of the PriceWaterhousecooper counters, and will be revealed Sunday. Meanwhile the rest of us want to win our respective Oscar pools. This year, I must w...

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    Oscar Docs: Lucy Walker Talks Waste Land, Rival to Front Runners

    The field of five Oscar-nominated docs is strong this year, not a weakling in the bunch. As street artist Bansky wages a campaign for Exit Through the Gift Shop against front-runner Inside Job, another film about art, Waste Land, could pose some competition. Justin Lowe reports from a recent screening at the Landmark Theatre in West LA, where director Lucy Walker presented her film for an invitation-only audience:Facing a formidable field of competitors for the best documentary Academy Award, Walker and the film itself made a convincing case for consideration among the top three contenders. Waste Land focuses on Rio de Janeiro’s community of ...

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    Depressed Holiday Weekend Box Office Taken by Unknown

    Unknown, Liam Neeson's follow-up to sleeper hit Taken, grabbed moviegoers at the Presidents Day weekend box office, which did little to pull Hollywood box office out of its ongoing depression. So far, first quarter box office is off 24 to 28 % from last year, reports Anthony D'Alessandro:

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    Weekend Preview: Unknown, I Am Number Four, Big Mommas, Last Lions, Putty Hill

    It's no surprise that indie offerings Putty Hill and the doc The Last Lions score the best reviews of the motley crew of movies that opened for the holiday weekend. Unknown, Liam Neeson's follow-up to sleeper hit Taken is next.

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    Is Banksy Campaigning For (Or Against) The Oscars? UPDATED

    Wily Brit street artist and documentary filmmaker Banksy is in Los Angeles, grabbing attention for himself as only Banksy can. That doesn't mean that he does public appearances, or in-person interviews (here's a good email exchange), or shows up at the Academy luncheon. No, he's putting up art, all ...

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    New Directors/New Films Opens with Margin Call, Features Incendies, Happy, Happy, Attenberg, Octubre

    The Museum of Modern Art and the Film Society of Lincoln Center announce the 2011 New Directors/New Films Festival lineup, running March 23 - April 3. J. C. Chandor's Margin Call (here's our Sundance video interview) will open the festival and Maryam Keshavarz's Circumstance will conclude the festiv...

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    Box Office Surges on Sandler vs. Bieber Weekend Duel

    Just Go With It's established comedy stars Adam Sandler and Jennifer Aniston dueled teen music phenom Justin Bieber's 3-D concert doc Never Say Never at the surging weekend box office, which had been in the doldrums compared to last year's Avatar-fueled winter frame. Anthony D'Alessandro reports:

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