I moved to NYC in the early 80's with dreams of making films that would change the world. To prime my path, I was prepared to serve first. There were two internships I wanted. Having grown up listening to Alan Lomax's Southern Journey records, he was one. He didn't hire me. The Super-8 No Wave film thing was taking the city by storm -- or at least the East Village. I turned my sights to working for Beth B, one of the key figures in the "Cinema Of Transgression". I got the interview... but not the gig. Although I have had to watch from afar, I have kept track of Beth and her work, and have always found it inspiring and uncompromising....
Read More »Two weeks ago Jennifer Fox shared with us some of the lessons she learned crowdfunding (1st six here, next 14 here, next 9 here).
Read More »Yesterday, the profoundly generous Jennifer Fox shared with us four more of the lessons she learned crowdfunding. This after a run two week's earlier where she shared a host of other (1st six here, next 14 here, next 9 here).
Read More »Two weeks ago Jennifer Fox shared with us some of the lessons she learned crowdfunding (1st six here, next 14 here, next 9 here).
Read More »Information needs to be shared. To fix this thing of ours, we have to speak up and out about what we want and how we operate. I was recently approached by an old friend, Gary Baddeley, about helping him do just that. Allow him to give you the details. Help him out, okay?
Read More »Two weeks ago Jennifer Fox shared with us some of the lessons she learned crowdfunding (1st six here, next 14 here) . Since then, she has gone down in the record books for both the number of donations and the amount thereof. If they gave records for quality as well as quantity she probably would h...
Read More »Sometimes it seems filmmakers forget they are in SHOW business. It is never enough to simply make a film or screen a film, and then hope that they will come. You need to create an event about your work and screen it in a context that makes people want to participate.
Read More »A while back we had Dynamo Player's founder Rob Millis introduce us to this useful tool for DIY Distribution. But how do the filmmakers using it, feel about the Dynamo Player? Today, Felicia Ptolemy, one of the producers behind one very successful film, Transcendent Man, shares their thoughts on t...
Read More »I have been producing for about 25 years now. I have routines, methods, and even rituals that help me get done what I have to get done. But if there is one thing that is constant in the film/media biz it is change. If we don't remain eternal students, we don't evolve and grow. Both our art and o...
Read More »The process of getting a film made is a long climb through rejection, neglect, frustration, and even some hostility. Those that "know", tell you that it is impossible -- but still tens of thousands of films get made every year despite this knowledge of the "experts". Being a filmmaker takes incred...
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