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    Now and Then: 'Four,' Moving Portrait of Love and Sex in the Time of Craigslist

    "Four," director Joshua Sanchez's remarkably honest, empathic adaptation of Christopher Shinn's play about a quartet of lovelorn folks in a modern age, works on you slowly. It's taken me about a week since seeing it at the New Orleans Film Festival to suss out just how complex and world weary it is,...

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    NOFF Review: Weinstein Oscar-Fodder 'Quartet' Stars Maggie Smith

    Like "The King's Speech," "Quartet" is musty and middlebrow, set in an imagined Britain of high class and low jokes. What it lacks in period pedigree it makes up for in a steady diet of quips from the form's reigning dowager, Maggie Smith. In The Weinstein Company's hands, it will likely earn solid ...

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    New Orleans Film Festival Review: Melissa Leo Amazes in 'Francine'

    Strange and unsettling, "Francine" begins as a miniature, a doll's house of life's loose ends. Subtly, though, it blooms. On the strength of Melissa Leo's astounding performance, it pushes outward into a troubled society of haves and have-nots — becoming, quietly but forcefully, one of the best film...

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    Why Everyone Should Be Watching 'Homeland'

    Showtime's Emmy winner for Best Drama returns Sunday for its second season. Fans can spend a few days pondering last season's stunning finale, but for newcomers it's time to play catch up. Because everyone should be watching "Homeland": it's the most astute piece of film or television to come out of...

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    Now and Then: 'The Master' and Paul Thomas Anderson's American Quadrilogy

    "The Master" is challenging, gorgeous, and forcefully weird, a critical darling and early Oscar contender, but you already knew that. It's also the fourth film in a great, daring, ambitious project to depict the shadow side of our national life over the course of a century — what might be called Pau...

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    Exclusive First Look at Poster & Clip for Swedish WWII Epic 'Simon and the Oaks'

    Check out our exclusive first look at the poster and a clip for Sweden's "Simon and the Oaks." Swedish director Lisa Ohlin's "Simon and the Oaks," based on Marianne Fredriksson's bestselling novel and recipient of thirteen nominations for Sweden's Guldbagge Awards, will hit US theaters on October 12...

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    In The Works: Pattinson Says Michôd's 'Rover' is About 'How Much Pain Can the World Take'; Hanks' 'Parkland' Looks at JFK Zapruder Film (Video)

    "Animal Kingdom" was director David Michôd's startlingly good feature debut, so his follow-up, "The Rover" is one we eagerly await. Guy Pearce (who played a cop in "Animal Kingdom") is reteaming with the director and Robert Pattinson is on board to share in the Australian desert-set Western...

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    Career Watch: Christian Bale - The Dark Superhero We Need

    Batman is not like other superheroes, and Christian Bale's iteration of him stands apart from the Thors and Iron Mans of contemporary hero-cinema. Because Bale's Batman, as we know him from Christopher Nolan's trilogy, is human and flawed, the tragedy that accompanied "The Dark Knight Rises" openin...

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    Casting Watch - 'Disappearance of Eleanor Rigby': Huppert, Hurt, Davis & Arianda Join Chastain & McAvoy

    “The Disappearance of Eleanor Rigby," which will be told in two films from "His" and "Hers" perspectives -- those of husband and wife James McAvoy and Jessica Chastain -- has rounded out its casting with Isabelle Huppert, Viola Davis, William Hurt, Nina Arianda, Ciaran Hinds, Bill Hader and Jess Wei...

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    Now and Then: '360,' Another of Fernando Meirelles' Beautiful Disappointments

    Of all the sloppy descriptions in film criticism, "visceral" may be the most misleading. It's a frequent synonym for "loud," not to mention "flashy," "punishing," or "gory." What it almost never means is instinctive, earthy, and intestinal, so forthright it grabs you. Except, that is, when we're tal...

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