Preserving rare old films is crucial, but the National Film Preservation Foundation believes it’s just as important to bring them to the widest possible audience. That’s why its Treasures from American Film Archives series is so valuable. Treasures 5: The West gathers an except...
Read More »Not all family films are created equal. This one was inspired by the remarkable real-life story of a dolphin named Winter who washed ashore in Florida, had to have its tail amputated, and taught itself to swim even without the appendage. As it turns out, that wasn’t the end of Winter...
Read More »If you believe major studio spokespeople, the DVD business is dying, to be replaced by downloading and cloud storage of films and TV shows. But the business-related news stories that repeatedly state these facts don’t take account of smaller companies like Criterion, Flicker Alley, a...
Read More »One of the unexpected moviegoing treats of the year is Phil Rosenthal’s documentary Exporting Raymond, the saga of his experience traveling to Russia to try to help a local production team re-create his hit TV comedy Everybody Loves Raymond. It’s a disarming film that has more substan...
Read More »A movie that opens as well as this one does—and draws you in so effectively—ought to have a finale that doesn’t remind you of cheesy monster movies from years past. On the other hand, the visual effects in 'Rise of the Planet of the Apes' are so astonishing that I have to cut the movie some slack.
Read More »I’ve always loved ingenious title sequences. Saul Bass, who created some of the greatest movie openings of all time (Vertigo, Psycho, North by Northwest, Walk on the Wild Side, That’s Entertainment, Part II and a handful of Martin Scorsese films, to name just a few), remains one of my heroes, along with Maurice Binder (who did those unforgettable James Bond titles) and Pablo Ferro (who once sent me a hand-inked note in the exact typeface he used for Dr. Strangelove!). In recent years such talented conceptualists as Kyle Cooper and the team at yU & Co. have generated graphic ideas as innovative as any of their predecess...
Read More »In an era of hyperactive, overly verbal 3-D animated entertainment, I hope there is still room for a film as sweet and gentle as Winnie the Pooh. At the screening I attended it seemed like the young adults in the audience were enjoying it even more than the kids, reliving their childhood mem...
Read More »If movies about talking cars or warlike robots don’t interest you, Project Nim is the latest documentary (following Buck) to offer a satisfying, adult alternative. It tells a story that is both stranger and more thought-provoking than most Hollywood fare.
Read More »When I was growing up in the 1950s and 60s, the last thing I wanted to see was a “serious” movie. I eagerly awaited each new Jerry Lewis comedy and Walt Disney release, and when the newly-reconstituted Three Stooges started making feature films I was first in line to see them. I ...
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