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Editing

  • Indiewire
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    How 'Boyhood' Editor Sandra Adair Helped Shape The Film's 12-Year Evolution

    Indiewire speaks to Sandra Adair, the editor of "Boyhood," about what it's like to work on a film over a period of 12 years.

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  • Thompson on Hollywood
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    'X-Men: Days of Future Past' Editor and Composer John Ottman Talks Multitasking, and Building a Marvel Epic

    It's hard enough wearing two hats as editor and composer for Bryan Singer, but the trippy, time-traveling "X-Men: Days of Future Past" offered some additional challenges for John Ottman. "I think we both look fondly upon the experience we had on 'X-Men 2' and we wanted to relive that a bit so coming...

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    11 Top Highlights From Thelma Schoonmaker's Tribeca Masterclass on Editing and Making 'Raging Bull'

    Thelma Schoonmaker has edited all of Scorsese's features since 1980, but for "The Cutting Room: An Insight to the Edit Suite," she chose to focus entirely on key sequences in "Raging Bull" and the stories behind them.

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    Legendary Editor Walter Murch Talks the Physics of 'Particle Fever'

    Mark Levinson's "Particle Fever" is the first great doc of the year (and let's hope it gets remembered during the next awards season). It's about the ground-breaking, Nobel Prize-winning experiment that helped unravel the nature of existence. Veteran editor/sound designer Walter Murch ("Apocalypse N...

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    Talking Editing with the Oscar Nominees

    Editorially, all five films take us out of our comfort zones in this strange season of survival and rebirth: from the chameleon-like con of "American Hustle" to the abduction at sea in "Captain Phillips" to the weightless terror of "Gravity" to the ticking clock death sentence of "Dallas Buyers Club...

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    Anatomy of a Scene: Solomon Northup Chained in '12 Years a Slave'

    One of the most important yet difficult decisions in Steve McQueen's "12 Years a Slave" was how to depict Solomon Northup (Chiwetel Ejiofor) waking up in bondage. Fortunately, they hit on the idea in the cutting room to tell it out of sequence, the result of which was disconcerting for Northup and v...

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    Anatomy of a Scene: Dissecting the Bravura 'Gravity' Opening

    The extraordinary 13-minute opening of Alfonso Cuaron's "Gravity" is like a mini-movie, setting up the zero-gravity world in space, the two astronauts played by Sandra Bullock and George Clooney, the mood, the tension, the crisis, and the metaphor. I break it down with Oscar-nominated cinematographe...

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    David O. Russell and Oscar-Nominated Crew Talk the Craft of 'American Hustle'

    David O. Russell's on a roll with his Oscar-contending "American Hustle," his most personal and popular movie yet. It's smart and funny, and has obviously touched a nerve with its story of survival and reinvention during the cultural and political upheaval of the late '70s. "I don't care about pure ...

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    Anatomy of a Scene: Oscar-Nominated Editor Christopher Rouse Talks the Pivotal Attack in 'Captain Phillips'

    Best Picture nominee "Captain Phillips" is the ultimate in Paul Greengrass-style verite, given its life and death intensity and emotional epiphanies. More than just a fact-based heist gone bad, it raises deep concerns about our globalized world in conflict. Oscar nominee Christopher Rouse, who's alr...

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    'Gravity' Set to Dominate Oscar Craft Nominations: Talking the Film's Sound, Music and Editing

    As we approach Wednesday's Oscar voting deadline, at least one thing's for certain: "Gravity" is a lock for a majority of the craft nominations. We've already covered production design, cinematography, and VFX in depth, so now let's look at the corresponding design for sound and music, which were ma...

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