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    Tarantino Update

    In my interview with Quentin Tarantino, he admits that he plans to go back to the editing room with Inglourious Basterds this June. He rushed the movie, getting it done in less than a year to make Cannes, and delivered a cinephile's fantasy:

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    Cannes Prizes: White Ribbon Wins Palme d'Or

    It turns out the only US channel carrying the Cannes Ceremonie de Cloture is TV5Monde--and in LA you have to subscribe (in advance) on Time Warner Cable to all the French channels to get it. Oh well. And I wasn't able to get it live on Canal Plus online--they'll edit it together for tomorrow, it see...

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    Cannes: Critics' Week and Director's Fortnight

    It turns out Francis Ford Coppola has agreed to show his Argentinian drama Tetro in Cannes after all, as the opener of Director's Fortnight (or Quinzaine). That's a good compromise; Coppola had turned down Thierry Fremaux's offer to place it out-of-competition in the official selection.

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    Inglourious Basterds: Tarantino Talks

    As Cannes wound down, writer-director Quentin Tarantino sat down for an interview about his long-awaited World War II opus, Inglourious Basterds. We talked about issues of structure, length and purpose:

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    Campion on Bright Star

    I sat down with New Zealand director Jane Campion at Cannes to talk about Bright Star a full sixteen years after I first met with her, for The Piano, for which she was the only woman to ever win the Palme d'Or in the 62 year history of the fest. Tragically, she lost the child she was carrying that y...

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    Cannes: Brangelina, Carrey and Pattinson Hit Croisette

    Wednesday night some badly needed star power arrived on the Croisette for the opening night of Quentin Tarantino's Inglourious Basterds. Brad Pitt did the press rounds during the day, and showed up at the black tie premiere with Angelina Jolie on his arm. Later they had a great time at the Basterds ...

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    Tarantino's Inglourious Basterds Plays Cannes

    Nowhere but Cannes would 2500 media urgently assemble in one place to see a movie at 8:30 AM. As Quentin Tarantino himself said at the jam-packed Inglourious Basterds press conference, "There's no place like Cannes for filmmakers on the face of the earth. It's Cinema Nirvana during this time here on the Riviera. Cinema matters. It's important. Even when people boo --out of passion--it's not just images glazing over you. All the world film press on the planet earth, America, Finland, Iceland, Greenland, even Canada--that's a country--something about them all being here, you drop the movie--bam!--at once everyone weighs in at the same time...I'...

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    Cannes Watch: IFC Buys Antichrist, Looking for Eric

    Continuing their buying jag, IFC acquired Lars von Trier's Antichrist, which made quite a splash at Cannes, sparking controversy and debate. UPDATE: IFC had told me the director was willing to make trims on the film. IFC confirms that they are going to review the film again, but that the plan leavin...

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    Cannes: Von Trier's Antichrist is Arthouse Horror

    Antichrist is a shocker, no question. It's powerful filmmaking. Danish bad boy Lars von Trier set out to make moviegoers gasp. It's unreleasable as is in many countries--insertion shot, bloody hand job, female genital self-mutilation and all.

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    Cannes Press Conference Erupts Over Trier's Antichrist

    The Monday press conference for Lars von Trier's Antichrist was packed. Right out of the gate, The London Daily Mail's Baz Bamigboye demanded that Trier justify his film. This immediately threw the filmmaker off, and he refused to expound on his thinking. "I don't have to justify," he said, his hand...

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