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    Twilight: Will Male Critics Ever Understand Its Femme Appeal?

    According to a San Diego State University study released on July 22, if things are bad for male film critics, they are worse for women.

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    Comic-Con: Ball's True Blood on HBO is Twilight for Adults

    [Posted by Liz Shannon Miller]At the standing-room-only panel for HBO's "True Blood," author Charlaine Harris admitted that she'd always thought her vampire fiction might work as a series for HBO. But Alan Ball had no idea of that when he found the first "True Blood" book while killing time in a Borders. Quickly becoming a fan of Harris's Southern Gothic vampire romance, Ball felt that to condense the books for a film would "do them a disservice," and instead approached Harris about adapting the books for television. "Several people had approached me about working with the material," Harris said, "...

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    Comic-Con: Comedies Pineapple Express, Tropic Thunder and the City of Ember Train

    I saw three summer comedies in a row this week, two from the Judd Apatow factory, Step Brothers and Pineapple Express, plus Ben Stiller's Tropic Thunder, which screened at Comic-Con last night (Pineapple Express screens here too). UPDATE: Here's Todd McCarthy's Tropic Thunder review.

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    Grabbing Scoops: Who Gets Credit?

    With Comic-Con looming, movie sites are pushing to get scoops on new movies of interest to the fan community. A sequel to 300, which broke big at Comic-Con, is a big deal.

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    Cannes Update: Tarantino, Soderbergh's Che, Kaufman's Synecdoche, New York, Egoyan's Adoration, Hame

    At the Adoration dinner-party on the roof of the Palais Thursday night, Sony Pictures Classics execs were huddling in the corner talking deals. But producer Robert Lantos and Cinetic Media's John Sloss were relaxed and enjoying the balmy moonlit evening.

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    Cannes: Che Meets Mixed Response

    "A folly." "A mess." "Great." These words came from critics coming out of Steven Soderbergh's four-hour 18 minute Spanish-language Che Wednesday night. At the end there was slight applause; no boos. My own description: noble failure. Click here to read Todd McCarthy's review.

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    Cannes Day Seven: Eastwood Talks Changeling

    Clint Eastwood's Changeling screened well Tuesday, although the press conference was slightly muted, partly because so many of the world press had already interviewed Angelina Jolie for Kung Fu Panda. Here's Todd McCarthy's review, which hit the web within minutes of the end of the press screening, ...

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    Cannes: Two Lovers Rocks the Palais

    It is not the slightest bit unusual for a Cannes gala premiere to get a standing ovation, and Two Lovers did--with the glowing Gwenyth Paltrow and Vinessa Shaw and James Gray on hand accepting kudos--if anything, when a movie doesn't get applause it's an issue. But Two Lovers played well not only fo...

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    Cannes Opening Day

    Kung Fu Panda star Jack Black woke up this morning knowing he had to cavort on the Carlton pier with 40 overstuffed pandas. Mike Jones did the honors with his Nikon Coolpix.

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    Cannes Watch: Indiana Jones

    I saw it coming. Ever since Paramount announced that Indiana Jones and the Temple of Doom Kingdom of the Crystal Skull would not screen for anyone before its May 18 unveiling at Cannes (in advance of its worldwide launch May 22), I felt that Spielberg and Co. might be setting themselves up. The anti...

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