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Film Reviews

  • Leonard Maltin
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    The Immigrant

    One of "The Immigrant’s" primary assets is its texture: a rich fabric of sights and sounds that evoke the look and feel of New York’s underbelly in the early 20th century.

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    Godzilla

    "Godzilla" is a terrific piece of entertainment that doesn’t insult its audience and gives us more than our money’s worth.

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    God's Pocket

    This is the kind of film I usually root for: a collage of vignettes about offbeat, colorful characters, played by an A-list cast including the late, great Philip Seymour Hoffman.

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    Devil's Knot

    "Devil's Knot" screenwriters Paul Harris Boardman and Scott Derrickson, and the talented director Atom Egoyan, paint a picture of the principal figures in the case of the West Memphis Three and the community where the crimes and first murder trial took place.

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    Belle

    "Belle" is handsome and well-cast with Gugu Mbatha-Raw, who made an impression on me in Tom Hanks’ "Larry Crowne," in the title role.

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    The Other Woman

    I don’t demand a great deal from a glossy Hollywood comedy, but it would be nice to find a smarter, more original piece of work than this in the year 2014.

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    Fading Gigolo

    "Fading Gigolo" is a sweet, bracingly original, wholly entertaining film from John Turturro with a plum part for none other than Woody Allen.

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    Transcendence

    The heartbeat of “Transcendence” comes from solid performances in the leading roles.

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    Draft Day

    Director Ivan Reitman steers an expert cast through its paces, with Kevin Costner in a tailor-made leading role.

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    Joe

    "Joe" paints a rich, multilayered portrait of a hardscrabble existence in this community, not unlike the world we encountered in Debra Granik’s "Winter’s Bone."

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