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Film Reviews

  • Leonard Maltin
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    Drive—movie review

    Drive arrives with its credentials of cool all set: a hot star (Ryan Gosling) in the lead, a smart supporting cast, a Best Director prize from the Cannes Film Festival, and a stylish retro-noir look. These assets may hoodwink some audiences who don’t stop—or want to stop—...

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    Contagion—movie review

    I can’t call Contagion as a feel-good movie. In fact, you won’t want to be feeling anything—or anyone—after seeing this cautionary tale about the spread of a deadly virus. But you won’t be able to take your eyes off the screen.

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    The Debt—movie review

    Sometimes a film seems to have everything going for it and still comes up short; such is the case with The Debt. Its credentials are impeccable: a fine cast headed by Helen Mirren, Tom Wilkinson, and Jessica Chastain, just for starters, directed by John Madden, and written by three talente...

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    Higher Ground—movie review

    How stimulating, and utterly refreshing, it is to see a movie with a distinctly female voice that deals with faith, and how one woman grapples with it, through good times and bad, throughout the course of her life. That Vera Farmiga gives an honest, empathetic performance should come as no surprise;...

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    Brighton Rock—movie review

    Sometimes one can admire a film without truly liking it; that’s how I feel about the ambitious British remake of Brighton Rock. Graham Greene’s 1938 novel, first filmed in the late 1940s, has been cleverly reworked to take place in 1964, at the time of the “mods and rockers...

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    Dont Be Afraid Of The Dark—movie review

    As you may already know, that modern master of Grand Guignol, Guillermo del Toro, saw the 1973 TV movie Don’t be Afraid of the Dark when he was a boy, and it scared the daylights out of him. He’s wanted to remake it ever since, and wrote a script with Matthew Robbins around the time he made his first American feature, Mimic (1997). Years went by, and when the pieces finally fell in place to put it into production he was busy with The Hobbit, so he selected newcomer Troy Nixey to fill his shoes after seeing an impressive short-subject he made. (The picture was finished two years ago but went into distributor limbo, from whi...

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  • Leonard Maltin
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    Conan The Barbarian—movie review

    Just when you thought it was safe to go back to the movies, they’re resurrecting concepts and entire films from the 1980s like Footloose (so help me) and Conan the Barbarian, based on Robert E. Howard’s pulp magazine hero. Beefy Jason Momoa steps into Arnold Schwarzenegger’...

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    One Day—movie review

    Sometimes, a successful play or a popular book—even a comic book—has qualities that just don’t transfer to the screen. One Day is based on a best-selling novel, and the producers hired its author, David Nicholls, to write the screenplay, since he’s had plenty of exper...

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    Amigo—movie review

    Amigo ought to be a great film: the subject is fascinating and still resonates today, even though it takes place over a hundred years ago. The Philippine-American war has been pretty much ignored, by textbook authors as well as moviemakers (but for the 1937 Hollywood movie The Real Glory). A...

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    The Help—movie review

    Any time a book strikes a chord with a vast number of people, as Kathryn Stockett’s The Help did, there is a mixture of anticipation and trepidation about its transition to the screen. Overall, I think writer-director Tate Taylor has done a good job bringing the book and its characte...

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