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Film Reviews

  • Leonard Maltin
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    The Woman In Black—movie review

    As ghost stories go, this one isn’t bad, but the filmmakers take an awfully long time getting to the actual plot, content to spend the first half of the movie doling out “boo!” moments…more than I’ve ever experienced in one motion picture! Most of them are pretty effec...

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    Declaration Of War—movie review

    It’s been decades since television created a genre that pundits labeled “disease-of-the-week” movies. Cable networks such as Lifetime have kept the form alive, because such stories are natural fodder for relatable drama, while medical TV shows have never gone out of style.

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    The Grey—movie review

    Liam Neeson is one of those actors who validates a film by his mere presence in it. Sure enough, he brings gravitas and credibility to this survival thriller set in the snowy wilderness of Alaska. I wish he’d also brought along a better script.

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    Man On A Ledge—movie review

    Try this on for size: an ex-cop who wants to prove he was innocent of a crime that sent him “up the river” for 25 years decides that the best way to do so is to step out onto the ledge of a midtown Manhattan hotel—and create a distraction for an even wilder scheme he’s trying...

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    Albert Nobbs—movie review

    I’m delighted that Glenn Close and Janet McTeer have earned Oscar nominations for their work in this striking and memorable film, but it would be a shame if all people talked about were their performances, great as they are. Albert Nobbs is a first-rate film in every respect. This should co...

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    Red Tails—movie review

    The story of the Tuskegee Airmen is one that every American should know, and deserving of a great film; unfortunately, this isn’t it. If one were scoring good intentions it would get an A for effort, simply for bringing a portion of this vast saga to theater screens. But the screenplay resembl...

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    Coriolanus—movie review

    I don’t know what Shakespeare purists will make of Coriolanus, but as cinematic storytelling it’s awfully impressive: a muscular, contemporary reading of the play, deftly abridged and adapted by the prolific John Logan, who also wrote Hugo and Rango this year. The primary hero, on s...

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    Haywire—movie review

    In the old days a film like this would have been called a “programmer” and fulfilled its modest ambitions as the second feature on a double bill. Alas, we don’t have double features or programmers anymore; every movie carries weight, and expectations, with it. Steven Soderbergh&rsq...

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    We Need To Talk About Kevin—movie review

    To say that this is not an easy film to watch is putting it mildly. No one would deny Tilda Swinton’s superior performance, but people were sharply divided when We Need to Talk About Kevin screened at the Telluride Film Festival last fall. Some folks I spoke to were downright angry. When I fin...

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    Contraband—movie review

    If ever there were a typical January movie, it’s Contraband, a film so dreary (and downright distasteful) that no studio would think of releasing it in December, when all eyes are focused on quality. I never saw the 2008 Icelandic film on which it’s based, but I presume it must have...

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