As a longtime 3D fan, I’ve been puzzled and discouraged to hear more than one director refer to “subtle use of 3D” in their films. Excuse me? I may be wrong, but I don’t think “subtle” and “3D” belong in the same sentence. The whole point of 3D is t...
Read More »I’d like to extoll the virtues of a great comedy, but this isn’t it. A word of explanation: I come to Dinner for Schmucks at a disadvantage, because I love the French film on which it’s based, The Dinner Game (1998). I’ve also heard its creator, the brilliant writer-direct...
Read More »Get Low is one of the treats of the summer movie season, a modest film that offers ample rewards, not the least being the opportunity to watch wonderful actors at work. The setting is Tennessee during the Great Depression. Robert Duvall is well cast as a man who’s lived as a hermit for the ...
Read More »If you have any fondness for life’s oddballs, I think you’ll share my affection for the latest film from the writing/directing team of Robert Pulcini and Shari Springer Berman, who brought us American Splendor. The Extra Man, based on a novel by Jonathan Ames, focuses on two men who e...
Read More »Salt moves like a bullet, and almost never stops to take a breath; as a result, neither do we. I can’t think of a recent film that’s maintained such a breakneck pace or made me so unaware of time flying by. This is beneficial, because the story doesn’t always make sense…b...
Read More »I vividly recall the year Todd Solondz’s Happiness debuted at the Telluride Film Festival. His deadpan treatment of such sensitive subjects as pederasty and masturbation polarized the assembled moviegoers; some walked out in disgust, others stayed and were full of praise. Only a filmmaker a...
Read More »Everyone is different. I don’t like mazes, puzzles, Rubik’s Cube, or most of Christopher Nolan’s films. He delights in creating cinematic puzzles but I always sense the wheels turning, instead of getting caught up in the action. Obviously he has the imagination to devise ingenio...
Read More »If you know that this film comes from the team that gave you National Treasure, you have a pretty good idea of what to expect: a larger-than-life action yarn with special effects and a sense of humor. It isn’t my favorite kind of entertainment, but there’s a good reason Jerry Bruckhei...
Read More »Annette Bening and Julianne Moore are worth the price of admission to The Kids Are All Right all by themselves, as far as I’m concerned. That the film is so smart and entertaining is icing on the cake.
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