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Film Reviews

  • Leonard Maltin
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    Higher Ground—movie review

    How stimulating, and utterly refreshing, it is to see a movie with a distinctly female voice that deals with faith, and how one woman grapples with it, through good times and bad, throughout the course of her life. That Vera Farmiga gives an honest, empathetic performance should come as no surprise;...

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    Brighton Rock—movie review

    Sometimes one can admire a film without truly liking it; that’s how I feel about the ambitious British remake of Brighton Rock. Graham Greene’s 1938 novel, first filmed in the late 1940s, has been cleverly reworked to take place in 1964, at the time of the “mods and rockers...

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    Dont Be Afraid Of The Dark—movie review

    As you may already know, that modern master of Grand Guignol, Guillermo del Toro, saw the 1973 TV movie Don’t be Afraid of the Dark when he was a boy, and it scared the daylights out of him. He’s wanted to remake it ever since, and wrote a script with Matthew Robbins around the time he made his first American feature, Mimic (1997). Years went by, and when the pieces finally fell in place to put it into production he was busy with The Hobbit, so he selected newcomer Troy Nixey to fill his shoes after seeing an impressive short-subject he made. (The picture was finished two years ago but went into distributor limbo, from whi...

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    Conan The Barbarian—movie review

    Just when you thought it was safe to go back to the movies, they’re resurrecting concepts and entire films from the 1980s like Footloose (so help me) and Conan the Barbarian, based on Robert E. Howard’s pulp magazine hero. Beefy Jason Momoa steps into Arnold Schwarzenegger’...

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    One Day—movie review

    Sometimes, a successful play or a popular book—even a comic book—has qualities that just don’t transfer to the screen. One Day is based on a best-selling novel, and the producers hired its author, David Nicholls, to write the screenplay, since he’s had plenty of exper...

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    Amigo—movie review

    Amigo ought to be a great film: the subject is fascinating and still resonates today, even though it takes place over a hundred years ago. The Philippine-American war has been pretty much ignored, by textbook authors as well as moviemakers (but for the 1937 Hollywood movie The Real Glory). A...

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  • Leonard Maltin
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    The Help—movie review

    Any time a book strikes a chord with a vast number of people, as Kathryn Stockett’s The Help did, there is a mixture of anticipation and trepidation about its transition to the screen. Overall, I think writer-director Tate Taylor has done a good job bringing the book and its characte...

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  • Leonard Maltin
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    30 Minutes Or Less—movie review

    What can I say about a movie that made me want to take a shower and cleanse myself afterward? 30 Minutes or Less is so shallow, self-satisfied, and downright repulsive that I hesitate to discuss it at all. It has none of the qualities of director Ruben Fleischer’s debut feature, Zombie...

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  • Leonard Maltin
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    Rise Of The Planet Of The Apes

    A movie that opens as well as this one does—and draws you in so effectively—ought to have a finale that doesn’t remind you of cheesy monster movies from years past. On the other hand, the visual effects in 'Rise of the Planet of the Apes' are so astonishing that I have to cut the movie some slack.

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    The Change-Up

    No one wants to be the one to raise his hand and be so uncool as to say “I’m offended,” but I’m willing to take that risk after seeing The Change-Up. I’ve tried to make my peace with what I call The New Vulgarity, as Hollywood has jumped on the R-rated comedy ...

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