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Film Reviews

  • Leonard Maltin
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    film review—TRON LEGACY

    If you’re old enough to remember seeing Tron when it came out in 1982, you may understand why I wasn’t chomping at the bit to see this much-hyped sequel. Tron was revolutionary in its use of computer graphics to place Jeff Bridges into a videogame environment—and that was definitely cool. But even c...

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    film review—HOW DO YOU KNOW

    If you admire such films as Broadcast News, Terms of Endearment, and As Good as it Gets, as I do, you’ll be rooting for James L. Brooks to score another bull’s-eye with his latest effort. But it’s clear pretty early on that How Do You Know is a muddled misfire: a tiresome, talky romantic comedy abou...

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    film review: The Fighter

    The Fighter doesn’t just take place in Lowell, Massachusetts; it reeks with the atmosphere of this working-class New England town, making vivid use of its look, feel, and sounds. Director David O. Russell clearly immersed himself in the community and worked overtime to capture its flavor, going so f...

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    film review: The Chronicles of Narnia: The Voyage of The Dawn Treader

    After a great start with the adaptation of C.S. Lewis’ The Lion, The Witch, and the Wardrobe and a somewhat less enthralling (and war-laden) follow-up, Prince Caspian, the big-screen version of The Chronicles of Narnia rebounds with The Voyage of the Dawn Treader.

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    film review: I Love You, Phillip Morris

    Jim Carrey is a talented man but, like other performers whose gifts are wide-ranging and difficult to pigeonhole, he needs good material and a guiding hand. He has found both in I Love You, Phillip Morris. In fact, I think he gives the best performance of his career in this provocative and unusual f...

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  • Leonard Maltin
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    film review: BLACK SWAN

    Evaluating any movie is a matter of personal taste. Filmmakers who deal in the extreme naturally provoke extreme reactions. That’s my way of saying that I couldn’t stand Black Swan. In fact, I had a violent response to the film, which I saw in its debut screening at the Telluride Film...

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  • Leonard Maltin
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    film review: King's Speech

    I sometimes recoil when people start spreading Oscar buzz about a movie I haven’t seen—or even had a chance to see—yet, but I’m willing to forgive this year’s campaign for The King’s Speech because it’s such a terrific movie. There are times when I look around me and get the feeling that civilizatio...

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    film review: TANGLED

    I approach each new Disney film with a combination of eagerness and apprehension: will it be as good as I want it to be? Can “the new guys” carry the torch lit by Walt and his colleagues so many years ago? Where Tangled is concerned, I knew within minutes that the answer was yes. I could tell from t...

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    film review: Burlesque

    The people behind Burlesque did at least a few things right. First, Cher has an amazing screen presence, and a way with dialogue that seems absolutely effortless. (I’ll admit, it takes some adjustment to accept her now-frozen face, but one either accepts Cher as it or not at all.) Then they hired Stanley Tucci to play her gay best friend and right-hand man, essentially reprising the role he essayed so well in The Devil Wears Prada. No matter—he brightens every scene he’s in, and delivers his lines with the panache of a true master. But these old pros have to swim up-tide against a screenplay that’s so hokey and weather-beaten you have to wond...

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