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Film Reviews

  • Leonard Maltin
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    film review—TRUE GRIT

    The Coen Brothers want to have their cake and eat it, too. They apparently intend some of their adaptation of True Grit to play believably, and some of it to reflect the ironic distance for which they’re so well known. That’s a tough two-step to pull off, and they almost get away with it.

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    film review: SOMEWHERE

    I count Sofia Coppola’s Lost in Translation as one of my favorite films of the decade, and I have great respect for her other pictures—except for the one at hand. Somewhere, which somehow won the Golden Lion at this year’s Venice Film Festival, strikes me as a non-movie, an utte...

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    film review—RABBIT HOLE

    A film about a couple trying to get over the loss of their young son is not likely to generate what marketers call a high “want-to-see” factor. But when the story is told with care, honesty, and even moments of humor that reflect the unpredictability—and absurdity—of life, it deserves to be seen.

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    film review—TRON LEGACY

    If you’re old enough to remember seeing Tron when it came out in 1982, you may understand why I wasn’t chomping at the bit to see this much-hyped sequel. Tron was revolutionary in its use of computer graphics to place Jeff Bridges into a videogame environment—and that was definitely cool. But even c...

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    film review—HOW DO YOU KNOW

    If you admire such films as Broadcast News, Terms of Endearment, and As Good as it Gets, as I do, you’ll be rooting for James L. Brooks to score another bull’s-eye with his latest effort. But it’s clear pretty early on that How Do You Know is a muddled misfire: a tiresome, talky romantic comedy abou...

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    film review: The Fighter

    The Fighter doesn’t just take place in Lowell, Massachusetts; it reeks with the atmosphere of this working-class New England town, making vivid use of its look, feel, and sounds. Director David O. Russell clearly immersed himself in the community and worked overtime to capture its flavor, going so f...

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    film review: The Chronicles of Narnia: The Voyage of The Dawn Treader

    After a great start with the adaptation of C.S. Lewis’ The Lion, The Witch, and the Wardrobe and a somewhat less enthralling (and war-laden) follow-up, Prince Caspian, the big-screen version of The Chronicles of Narnia rebounds with The Voyage of the Dawn Treader.

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  • Leonard Maltin
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    film review: I Love You, Phillip Morris

    Jim Carrey is a talented man but, like other performers whose gifts are wide-ranging and difficult to pigeonhole, he needs good material and a guiding hand. He has found both in I Love You, Phillip Morris. In fact, I think he gives the best performance of his career in this provocative and unusual f...

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  • Leonard Maltin
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    film review: BLACK SWAN

    Evaluating any movie is a matter of personal taste. Filmmakers who deal in the extreme naturally provoke extreme reactions. That’s my way of saying that I couldn’t stand Black Swan. In fact, I had a violent response to the film, which I saw in its debut screening at the Telluride Film...

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  • Leonard Maltin
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    film review: King's Speech

    I sometimes recoil when people start spreading Oscar buzz about a movie I haven’t seen—or even had a chance to see—yet, but I’m willing to forgive this year’s campaign for The King’s Speech because it’s such a terrific movie. There are times when I look around me and get the feeling that civilizatio...

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