Few Mexican filmmakers have achieved the global exposure of Carlos Reygadas, although he's not exactly a spokesperson for the country's allure. Reygadas' formally daring, visually inventive narratives present spectacular and frequently unsettling perspectives of Mexican life from the countryside to ...
Read More »While widely acclaimed filmmakers like Richard Linklater and Quentin Tarantino routinely smuggle European influences into their work, the under-seen director Dan Sallitt does it in subtler fashion. A New York-based critic who has made four impressive features in a span of 26 years, Sallitt's subdued...
Read More »With Martin Scorsese's ear for criminal behavior and Terrence Malick's eye for textured environments that overwhelm the characters surrounding them, Australian director Andrew Dominik is more than a typical genre craftsman. Over the past dozen years, Dominik has produced a trio of features that view...
Read More »No matter the scale of the production, American cinema largely reflects the conditions of a society that still has a hard time exploring its diversity. To put it simply: A lot of movies are made by white guys and revolve around white guys. American filmmaker Sean Baker is a white guy, but the four f...
Read More »There are essentially two Bobcat Goldthwaits: The first exists mainly in the past, a screeching, howling stand-up comedian mainly known for playing Zed in a string of "Police Academy" films in the eighties. In recent years, a quieter, surprisingly introspective Goldthwait has funneled much...
Read More »Editor's Note: Filmmakers You Should Know is a regular column about working filmmakers who have amassed a significant body of work. This installment focuses on Mia Hansen-Løve, whose third feature, "Goodbye First Love," hits theaters on Friday (it's already on VOD).
Read More »For nearly 30 years, Terence Davies has maintained a reputation as one of British cinema's brightest voices with just a half dozen features.
Read More »He's one of the most skillful genre filmmakers working today, blending an awareness of classical suspense narratives with frequently eccentric storytelling devices and uncompromising commitment to the element of surprise.
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